ON LOVE
STENDHAL
(HENRY BEYLE)
ON LOVE
TRANSLATED FROM THE FRENCH
WITH AN INTRODUCTION AND NOTES
BY
PHILIP SIDNEY WOOLF
AND
CECIL N. SIDNEY WOOLF, M. A.
FELLOW OF TRINITY COLLEGE, CAMBRIDGE
That you should be made a fool of by a young woman, why, it is many an
honest man's case.
_The Pirate._
NEW YORK
BRENTANO'S
TO B. K.
FOR WHOM
THE TRANSLATION
WAS BEGUN
_First Published 1915_
_Reprinted 1920_
Printed in Great Britain at
_The Mayflower Press, Plymouth_. William Brendon & Son, Ltd.
[Pg v]
INTRODUCTORY PREFACE TO THE TRANSLATION
Stendhal's three prefaces to this work on Love are not an encouraging
opening. Their main theme is the utter incomprehensibility of the book
to all but a very select few--"a hundred readers only": they are rather
warnings than introductions. Certainly, the early life of Stendhal's
_De l'Amour_ justifies this somewhat distant attitude towards the
public. The first and second editions were phenomenal failures--not
even a hundred readers were forthcoming. But Stendhal, writing in
the early part of the nineteenth century, himself prophesied that
the twentieth would find his ideas at least more comprehensible. The
ideas of genius in one age are the normal spiritual food for superior
intellect in the next. Stendhal is still something of a mystery to
the general public; but the ideas, which he agitated, are at present
regarded as some of the most important subjects for immediate enquiry
by many of the keenest and most practical minds of Europe.
A glance at the headings of the chapters gives an idea of the breadth
of Stendhal's treatment of love. He touches on every side of the
social relationship between man and woman; and while considering the
disposition of individual nations towards love, gives us a brilliant,
if one-sided, general criticism of these nations, conscious throughout
of the intimate connexion in any given age between its conceptions of
love and the status of woman.
Stendhal's ideal of love has various names: it is generally
"passion-love," but more particularly "love
Public-domain text, read in full here on John Shaqi.
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