[1] Those who remarked in the countenance of this young hero a dissolute audacity mixed with extreme haughtiness and indifference to the feelings of others, could not yet deny to his countenance that sort of comeliness, which belongs to an open set of features well formed by nature, modelled by art to the usual rules of courtesy, yet so far frank and honest that they seemed as if they disclaimed to conceal the natural working of the soul. Such an expression is often mistaken for manly frankness, when in truth it arises from the reckless indifference of a libertine disposition, conscious of superiority of birth and wealth, or of some other adventitious advantage totally unconnected with personal merit. _Ivanhoe_, Chap. VIII [Pg 43] CHAPTER XI Crystallisation having once begun, we enjoy with delight each new beauty discovered in that which we love. But what is beauty? It is the appearance of an aptitude for giving you pleasure. The pleasures of all individuals are different and often opposed to one another; which explains very well how that, which is beauty for one individual, is ugliness for another. (Conclusive example of Del Rosso and Lisio, 1st January, 1820.) The right way to discover the nature of beauty is to look for the nature of the pleasures of each individual. Del Rosso, for example, needs a woman who allows a certain boldness of movement, and who by her smiles authorises considerable licence; a woman who at each instant holds physical pleasures before his imagination, and who excites in him the power of pleasing, while giving him at the same time the means of displaying it. Apparently, by love Del Rosso understands physical love, and Lisio passion-love. Obviously they are not likely to agree about the word beauty.[1] The beauty then, discovered by you, being the appearance of an aptitude for giving you pleasure, and pleasure being different from pleasure as man from man, the crystallisation formed in the head of each individual must bear the colour of that individual's pleasures. [Pg 44] A man's crystallisation of his mistress, or her _beauty_, is no other thing than the collection of all the satisfactions of all the desires, which he can have felt successively at her instance. [1] _My Beauty_, promise of a character useful to _my_ soul, is above the attraction of the senses; that attraction is only one particular kind of attraction(7). 1815. [Pg 45] CHAPTER XII FURTHER CONSIDERATION OF CRYSTALLISATION Why do we enjoy with delight each new beauty, discovered in that which we love?