Matters stood thus, when the town was electrified by a general invitation to the annual jubilee at Jollyboys Hall, which this spring flowered into a masquerade, and filled the souls of old and young with visions of splendor, frolic, and fun. Being an amiable old town, it gave itself up, like a kind grandma, to the wishes of its children, let them put its knitting away, disturb its naps, keep its hands busy with vanities of the flesh, and its mind in a state of chaos for three mortal weeks. Young ladies were obscured by tarletan fogs, behind which they concocted angels' wings, newspaper gowns, Minnehaha's wampum, and Cinderella's slippers. Inspired but incapable boys undertook designs that would have daunted a costumer of the first water, fell into sloughs of despond, and, emerging, settled down from peers and paladins into jovial tars, friar waterproofs, and officers in miscellaneous uniforms. Fathers laughed or grumbled at the whole thing and advanced pecuniary loans with good or ill grace, as the case might be; but the mothers, whose interest in their children's pleasure is a sort of evergreen that no snows of time can kill, sewed spangles by the bushel, made wildernesses of tissue-paper blossom as the rose, kept tempers sweet, stomachs full, and domestic machinery working smoothly through it all, by that maternal magic which makes them the human providences of this naughty world. “What shall I go as?” was the universal cry. Garrets were taken by storm, cherished relics were teased out of old ladies' lavendered chests (happy she who saw them again!), hats were made into boots, gowns into doublets, cloaks into hose, Sunday bonnets despoiled of their plumage, silken cauliflowers sown broadcast over the land, and cocked-up caps erected in every style of architecture, while “Tag, Rag, and Bobtail” drove a smashing business, and everybody knew what everybody else was going to be, and solemnly vowed they didn't--which transparent falsehood was the best joke of the whole. Dolly allowed her mates to believe she was to be the Queen of Hearts, but privately laid hold of certain brocades worn by a trim grandmother half a century ago, and one evening burst upon her brother in a charming “Little Bo-Peep” costume, which, for the benefit of future distressed damsels, may be described as a “white silk skirt, scarlet overdress neatly bundled up behind,” as ancient ladies expressed it, blue hose with red clocks, high-heeled shoes with silver buckles, a nosegay in the tucker, and a fly-way hat perched in this case on the top of black curls, which gave additional archness to Dolly's face as she entered, singing that famous ditty.