On poetic interpretation of natureShairp, John Campbell
Philosophy
On poetic interpretation of nature
Shairp, John Campbell
Nature in literature; Poetry -- History and criticism
But when Britain declared war against France, and France changed a
war of self-defense for one of aggression, then came disgust with
his own country, disappointment and vexation with France, despair of
her promoting the cause of Liberty. Still he clung stubbornly to his
old tenets, and even strained them farther. At last, when he saw the
Emperor crowned by the Pope, this was too much for him. It was the last
opprobrium, the final blow to his republican ardor. He had seen a people
from whom he hoped all things, a nation which erewhile had looked up in
faith to heaven for manna, take a lesson from the dog returning to his
vomit. Then for a time the whole fabric of his hope and faith gave way.
He fell into distrust, not only of nations, but of himself. The faiths,
intuitions, aspirations which he had hitherto lived by, failed him. He
cross-questioned all fundamental principles, and if they could not
vindicate themselves by formal proof, rejected them. At last, losing all
hold on conviction, wearied out with endless perplexities, he doubted all
moral truth, and gave it up in despair. With his hopes for man, and his
faith in man’s destiny, the poetic vision of Nature, which had hitherto
been with him, disappeared, and his immediate converse with Him who
through Nature spoke to him was for a time eclipsed. Under the tyranny
of the logical and analyzing faculty, his intelligence was no longer
an organ which transmitted clearly the light from without to the light
within him, but, entangled in the meshes of the finite understanding,
he could for a time see or receive nothing which he could not verify by
logic. He looked on the outer world no more in a free imaginative way as
of old, but compared scene with scene, and judged and criticised them by
artificial rules.
“To the moods
Of time and season, to the moral power,
The affections and the spirit of the place
Insensible.”
This to one like Wordsworth, more than to most men, was abnegation of his
higher self, was in fact moral death. It was the lowest depth into which
he sank, the climax of what he himself calls “his degradation.”
Public-domain text, read in full here on John Shaqi.
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