On poetic interpretation of natureShairp, John Campbell
Philosophy
On poetic interpretation of nature
Shairp, John Campbell
Nature in literature; Poetry -- History and criticism
But as his faith in man and his love of Nature had suffered shipwreck
together, it was by the same influence they were restored. From the
temporary obscuration of the master vision, the laying asleep of his
inner faculties, the first thing to arouse him was the influence of human
affection, and that came to him through the presence of his sister,
his “sole sister.” When after his return from France he was wandering
about aimless and dejected, she saw and understood his mental malady.
She made a home for him, and became his hourly companion. If he had
labored zealously to cut off his heart from all the sources of his former
strength, she by her influence and sympathy maintained for him, as he
expresses it, “a saving intercourse with his true self.” She saw that his
true vocation was to be a poet, and a teacher of men through poetry, and
bade him seek in that alone “his office upon earth.” She took him once
more to lonely and beautiful places, till Nature again found access to
him, and, combining with his sister’s human ministry,
“Led him back
To those sweet counsels between head and heart,
Whence groweth genuine knowledge fraught with peace.”
Thus began that sanative process which in time restored him to his true
self, to “his natural graciousness of mind,” and made him that blessing
to the world he was destined to become.
But there was not a restoration only, but there came through that
same sister an accession of new emotions, an opening of his heart to
influences heretofore disregarded. His nature was originally, he tells
us, somewhat austere and unbending. She opened his eyes to perceive
in Nature minute lovelinesses formerly unnoticed, his heart to feel
sympathies and tendernesses for human things hitherto uncared for. In her
company, whether they wandered about the country or dwelt in a settled
home, his former delight in Nature returned. He felt once again, like the
breath of spring, visitings of the imaginative power come to him; the
overflowings of “the impassioned life” that is in Nature streamed in upon
him, and he stood in her presence once more
“A sensitive being, a creative soul.”
The restoration, the sanative process I speak of, showed itself in two
directions, as regards his feeling towards man and towards Nature.
Public-domain text, read in full here on John Shaqi.
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