On poetic interpretation of natureShairp, John Campbell
Philosophy
On poetic interpretation of nature
Shairp, John Campbell
Nature in literature; Poetry -- History and criticism
The tendency to isolate Nature and to regard it as a self-subsisting
thing cut off from other existence, has been strong ever since man came
to be clearly conscious of his own distinctness from the world. In this,
as in every other realm of thought, progress is slow; it requires long
ages to get to the right mental attitude. Among the ethnic races, at
least, there were first the two periods already noticed—one in which man
crouched in blind abject terror in presence of the elements; another
marked by that brighter Nature-worship embodied in the Aryan mythology,
which, though past its prime, was still surviving when the Homeric poems
were composed. Then succeeded the time when, on the one hand, the mind of
man separated itself from the world and asserted its distinct existence;
and when, on the other, the thought of Deity, under the guidance of
reflection and philosophy, gradually extracted itself from the visible
appearances in which it had been so long imbedded.
When this great change had made itself felt, and when, at the same time,
out-of-door life gave place to life in cities, Nature in a great measure
lost its hold on man’s regards, and retired into the background as a
lifeless mechanical thing, without interest or beauty or any intimacy
with man. The material world, indeed, had still its utilitarian value.
It ministered to man’s bodily wants in the thousand ways that immemorial
usage handed down, and which science in recent times has so greatly
multiplied. If the refreshing presence of Nature still blended unawares
with the animal spirits of men, and cheered them when they were weary,
yet the multitudes cast on it no imaginative regards, and cared nothing
for the poetry which mediates between the eye and the heart. This seems a
true account of the mental attitude of the great civilized communities,
down even to recent times. And, notwithstanding the great movement toward
Nature which is said to characterize this modern era, one may well doubt
whether the sentiment has really penetrated the hearts of even the most
cultivated men. Such things must always be difficult to gauge. Yet one
cannot but sometimes wonder, if from the modern love of Nature, and
the much talk about it, there could be deducted all that may be set
down to love of change, imitation, fashion, and the desire to meet the
expectations of refined society, how much would remain of feeling that
was native, genuine, and spontaneous.
A few, we may believe, there have been in every age, and more perhaps in
this than in former ages, to whom, in spite of the prosaic atmosphere
that surrounded them, Nature was something more than a dead machine,
something even worthy of affection. Poets, too, were born from age to
age, favorite children of
“Gaudentes rure Camœnæ,”
Public-domain text, read in full here on John Shaqi.
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