On poetic interpretation of natureShairp, John Campbell
Philosophy
On poetic interpretation of nature
Shairp, John Campbell
Nature in literature; Poetry -- History and criticism
fundamentally the same. While Philosophy and Theology, in their striving
to attain distinct conceptions, are forced to deal with these great
ideas separately, and to keep them systematically apart, Poetry, on the
other hand, under the fusing and blending power of imagination, is, in
its highest mood, pervaded by a continual reference to all the three at
once, and will at times combine and flash them all at once upon the soul
in one inspired line.
It is, however, of only one of these three main objects of Poetry that
I now propose to treat—the action of Poetry on external Nature, the way
in which the poets deal with the outward world. In doing this it will
appear at a glance, and will become more clear in the sequel, that it
is impossible to isolate this one aspect of Poetry; that, even when the
poet’s regards are mainly turned toward the outward world, the sense
of God and of man is not far away. But even when we do our best to
limit the subject as far as may be, it is so vast in itself and in its
ramifications, that, far from hoping to exhaust it in these few pages,
I shall be well content if, when they are finished, it is found that a
few avenues of thought have been opened up, a few glimpses obtained into
truths which are real and suggestive.
Before going farther, let me say what I mean by Nature, for there is
no word which more needs definition. There is none, except perhaps its
counterpart, Reason, which is used in more various, often conflicting,
meanings, or with more shades of meaning, each passing into the other.
By Nature, then, I understand the whole sum of appearances which reach
us, which are made known to us, primarily through the senses. It includes
all the intimations we have through sense of that great entity which
lies outside of ourselves, but with which we have so much to do. For
my present purpose I do not include Man, either his body or his mind,
as part of Nature, but regard him rather as standing out from Nature,
and surveying and using that great external entity which encompasses and
confronts him at every turn, he being the contemplator, Nature the thing
contemplated.
Public-domain text, read in full here on John Shaqi.
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