On poetic interpretation of natureShairp, John Campbell
Philosophy
On poetic interpretation of nature
Shairp, John Campbell
Nature in literature; Poetry -- History and criticism
Any attempt to answer the first question, and to explain what is Beauty,
would involve a long discussion, perhaps not a very profitable one. At
any rate it would lead me far from my present purpose. This only may be
said in passing. Light, as physicists inform us, is not something which
exists in itself apart from any sentient being. The external reality
is not light, but the motion of certain particles, which, when they
impinge on the eye, and have been conveyed along the visual nerve to the
brain, are felt by the mind as light,—result in the perception of light.
Light, therefore, is not a purely objective thing, but is something
produced by the meeting of certain outward motions with a perceiving
mind. Again, certain vibrations of the air striking on the drum of the
ear, and communicated by the nerve of hearing to the brain, result in
the perception of sound. Sound, therefore, is not a purely objective
entity, but is a result that requires to its production the meeting of
an outward vibration with a hearing mind; it is the result of the joint
action of these two elements. In a similar way, certain qualities of
outward objects, certain combinations of laws in the material world, when
apprehended by the soul through its æsthetic and imaginative faculties,
result in the perception of what we call Beauty. Therefore Beauty,
neither wholly without us nor wholly within us, is a product resulting
from the meeting of certain qualities of the outward world with a
sensitive and imaginative soul. The combination of both of these elements
is requisite to its existence. It is no merely mental or subjective
thing, born of association, and depending on individual caprice, as the
Scotch philosophers so long fancied. When the two elements necessary
to the perception of it have met, it is a reality as inevitable and as
veritable as the law of gravitation, or any law which science registers.
And when, either through our own perception, or through the teaching of
the poets, we learn to apprehend it—when it has found entrance into us,
through eye and ear, imagination and emotion, we have learnt something
more about the world in which we dwell than Physics have taught us,—a new
truth of the material universe has reached us through the imagination,
not through the scientific or logical faculty.
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