On poetic interpretation of natureShairp, John Campbell
Philosophy
On poetic interpretation of nature
Shairp, John Campbell
Nature in literature; Poetry -- History and criticism
The real nature and intrinsic truth of Poetry will be made more apparent,
if we may turn aside for a moment to reflect on the essence of that
state of mind which we call the poetic, the genesis of that creation
which we call Poetry. Whenever any object of sense, or spectacle of the
outer world, any truth of reason, or event of past history, any fact of
human experience, any moral or spiritual reality; whenever, in short,
any fact or object which the sense, or the intellect, or the soul, or
the spirit of man can apprehend, comes home to one so as to touch him to
the quick, to pierce him with a more than usual vividness and sense of
reality, then is awakened that stirring of the imagination, that glow
of emotion, in which Poetry is born. There is no truth cognizable by
man which may not shape itself into Poetry. It matters not whether it
be a vision of Nature’s ongoings, or a conception of the understanding,
or some human incident, or some truth of the affections, or some moral
sentiment, or some glimpse into the spiritual world; any one of these
may be so realized as to become fit subjects for poetic utterance. Only
in order that it should be so, it is necessary that the object, whatever
it is, should cease to be a merely sensible object, or a mere notion
of the understanding, and pass inward,—pass out of the coldness of
the merely notional region into the warm atmosphere of the life-giving
Imagination. Vitalized there, the truth shapes itself into living
images which kindle the passion and affections, and stimulate the whole
man. This is what has been called the real apprehension of truths, as
opposed to the merely notional assent to them. There is no quality in
which men more differ than in this intensity of mental nature, this
power of vividly realizing whatever a man does lay hold of. It is an
essential—indeed a primary—ingredient in the composition of the Poet;
but is not confined to him. It is shared by all men who are powerful in
any line of thought or action. This mental energy, this intensity of
realizing power, is the stuff out of which are made all who in any way
really move their fellow-men. It creates, as has been well said, “Heroes
and saints, great leaders, statesmen, preachers, and reformers, the
pioneers of discovery in science, visionaries, fanatics, knight-errants,
and adventurers.” In these and such like, the men of abounding energy,
who have revolutionized states and moved the world, the process had begun
with the vivid realization of some truth through the imagination; but
it has not stopped there. It has gone on from the imagination to the
affections. It has stirred the hopes, the fears, the loves, the hates of
the soul, enkindling them and driving them with full force on the will,
and propelling the man into action. In the Poet, on the other hand, the
process not only begins, but continues in the imagination, kindling,
no doubt, a real glow of emotion, but not leading him, as poet, to any
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