the source of one of the purest streams of English poetry." Indeed, it appears to be the opinion of many scholars, including Mr. J. D. Harding, Rev. T. Price, and Sig. Panizzi, late chief librarian of the British Museum, that the entire European cycle of romance "originated in Welsh invention or tradition." The last named, in his "Essay on the Narrative Poetry of the Italians," prefixed to his edition of Boiardo and Ariosto, distinctly states that "all the chivalrous fictions since spread through Europe appear to have had their birth in Wales." Mr. Fiske, of Harvard University, in his "Myths and Myth-makers," referring to the Greek tradition concerning the "Return of the Herakleids," says "it is undoubtedly as unworthy of credit as the legend of Hengist and Horsa; yet, like the latter, it doubtless embodies a historical occurrence." Such may likewise be the case with some of the battles known from tradition to the early story-tellers, poets, or romance writers, who crystallized, as it were, all their floating warlike legends around the names of Arthur and his knights. Our mediæval ancestors, with very few isolated exceptions, innocently accepted Geoffrey's wild assertions as sober historical facts, notwithstanding the gross ignorance and falsehood patent in many passages, and the childish superstition and credulity which characterise others. Indeed, only about a century ago, the Rev. Jno. Whitaker, the historian of Manchester, placed so much faith in the statements of Nennius and Geoffrey, that he regarded their Arthur as a really historical personage, and he fixed the sites of several of his presumed exploits in the county of Lancaster. There may undoubtedly have existed, nay, there probably did exist, a British chieftain who fought against Teutonic invaders during some portion of the two or three centuries occupied in the Anglo-Saxon conquest, whose name was Arthur, but his deeds, whatever may have been their extent or character, have been so exaggerated and interwoven with far more ancient mythical stories, and confounded with those of other warriors, that his individuality or personality, in a truly _historical_ sense, is apparently lost.