On Some Ancient Battle-Fields in Lancashire: And Their Historical, Legendary, and Aesthetic Associations.Hardwick, Charles
History
On Some Ancient Battle-Fields in Lancashire: And Their Historical, Legendary, and Aesthetic Associations.
Hardwick, Charles
Battles -- England; Great Britain -- History -- Anglo-Saxon period, 449-1066; Lancashire (England) -- History
Mr. Charles Elton ("Origins of English History,") says--"The names of
several tribes, or the legends of their origin, show that an animal, or
some other real or imaginary object, was chosen as a crest or emblem,
and was probably regarded with a superstitious veneration. A powerful
family or tribe would feign to be descended from a swan or a
water-maiden, or a 'white lady,' who rose from the moon-beams on the
lake. The moon herself was claimed as the ancestress of certain
families. The legendary heroes are turned into 'swan-knights,' or fly
away in the form of wild-geese. The tribe of the 'Ui Duinn,' who claimed
St. Bridgit as their kinswoman, wore for their crest the figure of a
lizard, which appeared at the foot of the oak-tree above her shrine. We
hear of 'griffins' by the Shannon, of 'calves' in the country around
Belfast; the men of Ossory were called by a name which signifies the
wild red-deer! There are similar instances from Scotland in such names
as 'Clan Chattan,' or the Wild Cats, and in the animal crests which have
been borne from the most ancient times as the emblems or cognizances of
the chieftains. The early Welsh poems will furnish another set of
examples. The tribes who fought at Catraeth are distinguished by the
bard as wolves, bears, or ravens; the families which claim descent from
Caradock or Oswain take the boar or the raven for their crest. The
followers of 'Cian the Dog' are called the 'dogs of war,' and the
chieftain's house is described as the stone or castle of 'the white
dogs.'"
The writer, in the Pen. Cyclop., of the memoir of Owen Glendwr,
says--"It was at this juncture that Glendwr revived the ancient prophecy
that Henry IV. should fall under the name of 'Moldwary,' or 'the cursed
of God's mouth'; and styling himself 'the Dragon,' assumed a badge
representing that monster with a star above, in imitation of Uther,
whose victories over the Saxons were foretold by the appearance of a
star with a dagger threatening beneath. Percy was denoted 'the Lion,'
from the crest of his family; and on Sir Edward Mortimer they bestowed
the title of 'the Wolf.'"
Hugh of Avranche, Earl of Chester, was called Hugh Lupus, from his
cognizance or favourite device of a wolf's head.
Shakspere has preserved to us at least two noteworthy instances in which
the "totem" or beast symbol of our savage ancestors survived, with its
original significance, until the period of the "Wars of the Roses." In
the Second Part of "King Henry VI." (Act 5, Scene 1), _Warwick_
exclaims:--
Now, by my father's badge, old Nevil's crest,
The rampant bear chain'd to the ragged staff,
This day I'll wear aloft my burgonet
(As on a mountain top the cedar shows,
That keeps his leaves in spite of any storm),
Even to affright thee with the view thereof.
To which boast _Clifford_ replies:--
And from thy burgonet I'll rend thy bear,
And tread it underfoot with all contempt,
Despite the bearward that protects the bear.
Public-domain text, read in full here on John Shaqi.
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