About thirty years ago Mr. Mayor (of Hildesheim and London) thought it his
duty to impress upon the public how great Van Tromp was. This he did after
taking thirteen Van Tromps in payment of a bad debt, and he succeeded. But
the man I am writing about cared nothing for all this: he simply wanted to
see how well he could imitate this corner of the picture, and he did it
pretty well. He begrimed it and he rubbed at it, and then he tickled it up
again with a knife, and then he smoked it, and then he put in some dirty
whites which were vivid, and he played the fool with white of egg, and so
forth, until he had the very tone and manner of the original; and as he
had done it on an old bit of wood it was exactly right, and he was very
proud of the result. He got an old frame from near Long Acre and stuck it
in, and then he took the thing home. He had done several things of this
kind, imitating miniatures, and even enamels. It amused him. When he got
home he sat looking at it with great pleasure for an hour or two; he left
the little thing on the table of his study and went to bed.
Here begins the story, and here, therefore, I must tell you what the
subject of this corner of the picture was.
The subject of this corner of the picture which he had copied was a woman
in a brown jacket and a red petticoat with big feet showing underneath,
sitting on a tub and cutting up some vegetables. She had her hair bunched
up like an onion, a fashion which, as we all know, appealed to the Dutch
in the seventeenth century, or at any rate to the plebeian Dutch. I must
also tell you the name of this squire before I go any further: his name
was Hammer--Paul Hammer. He was unmarried.
He went to bed at eleven o'clock, and when he came down at eight o'clock
he had his breakfast. He went into his study at nine o'clock, and was very
much annoyed to find that some burglars had come in during the night and
had taken away a number of small objects which were not without value; and
among-them, what he most regretted, his little pastiche of the corner of
the Van Tromp.
For some moments he stood filled with an acute anger and wishing that he
knew who the burglars were and how to get at them; but the days passed,
and though he asked everybody, and even gave some money to the police, he
could not discover this. He put an advertisement into several newspapers,
both London newspapers and local ones, saying that money would be given if
the thing were restored, and pretty well hinting that no questions would
be asked, but nothing came.
Public-domain text, read in full here on John Shaqi.
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