On the Anzac trail: Being extracts from the diary of a New Zealand sapperAnzac
History
On the Anzac trail: Being extracts from the diary of a New Zealand sapper
Anzac
World War, 1914-1918 -- Personal narratives, New Zealand
Let us stroll down this close-packed double row of little windowless
stalls that resemble nothing so much as dog boxes in a canine show.
See that old fellow with the Arab features and dress, working so
industriously at his clumsy native loom: he is eighty if he is a day,
and just as likely as not ten years older. Note the speed and skill
with which his knotted old fingers do their work. He is weaving a
silk scarf, a beautiful piece of work, which later on may adorn the
shoulders of some harem favourite—or a New York belle. In the next
stall squats a native tailor or vestment maker. Opposite him a spice
merchant calls your attention to his wares, just as his forefathers
did in the days of Abraham. A few yards farther and we come on a
couple of young natives busily pounding away with heavy steel pestles
in a mortar surely identical with the jars in which the Forty Thieves
secreted themselves—scent and pot-pourri makers almost certainly.
Squeezing past a mild-looking camel, which we do not trust, however,
we almost stumble over a couple of silk spinners, an old man and a
precocious-looking boy. The spinning-wheel might have come straight
from an Irish cottage. The yarn is passed through the interstices of
the boy's small white teeth, the idea being to clean it of foreign
matter, I suppose. Flattening ourselves against a sweetmeat stall to
permit of the passage of a train of heavily laden donkeys, our eyes
are dazzled the while by a glimpse of a silk merchant's stock in the
booth opposite; hanging to the walls, piled in huge heaps, and lying
around anyhow, are scarves, robes, and vestments in all the colours of
the rainbow. What would that stuff be worth in London or Melbourne? Who
knows?... We turn the corner, dodge a cow and a goat that are being
milked in the street, and find ourselves at the entrance door of a
dealer in beaten brass and copper goods, Japanese ware, and antiques.
This we enter, ignoring the protests of our guide, who would much
prefer that our custom should go to the more flashy-looking store
farther up the street—kept by his brother or uncle, most likely, and
a first-rate house for buying Eastern curios and antiques _made in
Birmingham_. You tell him so, insult the memory of his mother, and
leave him to continue his protestations on the threshold.
There are many things we should like to purchase. That pair of vases,
for instance, so beautifully chased and inlaid with silver, price £20.
Or that group representing a couple of Japanese wrestlers, dirt cheap
at £18. Or that magnificent cabinet—— But our finances only run to
two weeks' pay at two shillings per diem, so we turn our attention
to flower-holders, candlesticks, and such-like cheaper lines of
goods, enjoying the while a cup of excellent Egyptian coffee and some
unusually good cigarettes at the expense of the proprietor. Shopping
in Cairo is a slow game, so we kill an hour in the making of our
purchases—and emerge with a balance still at the bank.
Public-domain text, read in full here on John Shaqi.
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