You do wrong, I assure you, in misprising these men of the 18th century. They reduced life, to be sure: but by that very means they saw it far more _completely_ than do we, in this lyrical age, with our worship of 'fine excess.' Here at any rate, and to speak only of its literature, you have a society fencing that literature around--I do not say by forethought or even consciously--but in effect fencing its literature around, to keep it in control and capable of an orderly, a nice, even an exquisite cultivation. Dislike it as you may, I do not think that any of you, as he increases his knowledge of the technique of English Prose, yes, and of English Verse (I do not say of English Poetry) will deny his admiration to the men of the 18th century. The strength of good prose resides not so much in the swing and balance of the single sentence as in the marshalling of argument, the orderly procession of paragraphs, the disposition of parts so that each finds its telling, its proper, place; the adjustment of the means to the end; the strategy which brings its full force into action at the calculated moment and drives the conclusion home upon an accumulated sense of _justice._ I do not see how any student of 18th century literature can deny its writers--Berkeley or Hume or Gibbon--Congreve or Sheridan--Pope or Cowper--Addison or Steele or Johnson--Burke or Chatham or Thomas Paine--their meed for this, or, if he be an artist, even his homage. But it remains true, as your instinct tells you, and as I have admitted, that they achieved all this by help of narrow and artificial boundaries. Of several fatal exclusions let me name but two. In the first place, they excluded the Poor; imitating in a late age the Athenian tradition of a small polite society resting on a large and degraded one. Throughout the 18th century--and the great Whig families were at least as much to blame for this as the Tories--by enclosure of commons, by grants, by handling of the franchise, by taxation, by poor laws in result punitive though intended to be palliative, the English peasantry underwent a steady process of degradation into serfdom: into a serfdom which, during the first twenty years of the next century, hung constantly and precariously on the edge of actual starvation. The whole theory of culture worked upon a principle of double restriction; of restricting on the one hand the realm of polite knowledge to propositions suitable for a scholar and a gentleman, and, on the other, the numbers of the human family permitted to be either. The theory deprecated enthusiasm, as it discountenanced all ambition in a poor child to rise above what Sir Spencer Walpole called 'his inevitable and hereditary lot'--to soften which and make him acquiescent in it was, with a Wilberforce or a Hannah More, the last dream of restless benevolence. VI