Books and reading -- Great Britain; English literature -- History and criticism
At Oxford and Cambridge (I repeat) we find in their early days no
trace of any examination at all. To be sure--and as perhaps you
know--the first archives of this University were burned in the
'Town and Gown' riots of 1381 by the Townsmen, whose descendants
Erasmus describes genially as 'combining the utmost rusticity
with the utmost malevolence.' But no student will doubt that
Cambridge used pretty much the same system as Oxford, and the
system was this:--When a candidate presented himself before the
Chancellor for a License in Arts, he had to swear that he had
heard certain books[1], and nine Regent Masters (besides his own
Master, who presented him) were required to depose to their
knowledge (_de scientia_) of his sufficiency: and five others to
their credence (_de credulitate_), says the Statute. Only in the
School of Theology was no room allowed to credulity: there all
the Masters had to depose 'of their knowledge,' and one black
ball excluded.
VI
Well, you may urge that this method has a good deal to be said
for it. I will go some way to meet you too: but first you must
pay me the compliment of supposing me a just man. Being a just
man, and there also being presumed in me some acquaintance with
English Literature--not indeed much--not necessarily much--but
enough to distinguish good writing from bad or, at any rate, real
writing from sham, and at least to have an inkling of what these
poets and prose-writers were trying to do--why then I declare to
you that, after two years' reading with a man and talk with him
about literature, I should have a far better sense of his
industry, of his capacity, of his performance and (better) of his
promise, than any examination is likely to yield me. In short I
could sign him up for a first, second or third class, or as
_refutabilis,_ with more accuracy and confidence than I could
derive from taking him as a stranger and pondering his three or
four days' performance in a Tripos. For some of the best men
mature slowly: and some, if not most, of the best writers write
slowly because they have a conscience; and the most original
minds are just those for whom, in a _literary_ examination, it is
hardest to set a paper.
But the process (you will admit) might be invidious, might lend
itself to misunderstanding, might conceivably even lead to
re-imposition of an oath forbidding the use of a knife or other
sharp implement. And among Colleges rivalry is not altogether
unknown; and dons, if unlike other men in outward aspect,
sometimes resemble them in frailty; and in short I am afraid we
shall have to stick to the old system for a while longer. I am
sorry, Gentlemen: but you see how it works.
VII
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account