On the BorderlandAustin, F. Britten (Frederick Britten)
Science
On the Borderland
Austin, F. Britten (Frederick Britten)
English fiction -- 20th century; Paranormal fiction; Short stories, English
We stared at her, fascinated. Was our fantastic theory true?
Her gaze lost us, fixed itself into vacancy. Her features changed. An
expression of vague fear--the fear of the hypnotic shrinking at some
invisible danger--came into them. She opened her mouth as though to
speak.
She uttered only an inarticulate cry--a cry of fright as the loose
stones of the excavation slipped from under her. She fell headlong into
the hole, where she lay oddly--ominously--still. I jumped down after
her, lifted her up. The rusty old stiletto, caught under her in her
fall, had driven straight into her heart--broken off at the hilt!
The doctor stopped, looked round upon his audience.
“And the treasure?” queried one of them.
“There was no treasure. There was no more digging that day. We took
the poor girl’s corpse back to the yacht and I thought her mother
would have died as well--or gone out of her mind. She was screaming
to get away from the place. But the old man was not put off his game
so easily. The next day, whilst I stayed on board with the distracted
mother, he and his son went and dug again in that tragic cairn.
“They brought back all they found--the broken lid of a chest, branded
with the date 1665. That, curiously enough, was _underneath_ the
skeleton, suggesting that the hoard had been rifled before the man,
whoever he was, was killed.”
“A strange story!” commented another of the audience. “And what’s your
hypothesis in explanation, doctor?”
The doctor smiled.
“Well--you can have your choice,” he said. “There is the possibility
that, in a prior existence, Miss Vandermeulen was in fact Lucia, that
she seduced John Dawson into revealing the secret of the treasure,
that she murdered him on the spot and went off with it--and that
the vengeful spirit of the old buccaneer, hovering around these
latitudes, came into touch with her new reincarnation, and, playing
with a fine irony upon that same lust of gold which was responsible
for his murder but of which she was this time entirely innocent, led
her to a death by that same poniard with which she had killed _him_.
Alternatively, there is the hypothesis that her spontaneous writing and
the impersonation of Lucia were but an automatic dramatization by her
subconsciousness of hints dropped into it by her brother’s reading of
‘Treasure Island’ and subsequent conversations between her father and
his son, and that her death was a mere coincidence.”
“An incredibly complete coincidence!” said one of the men.
The doctor shrugged his shoulders.
Public-domain text, read in full here on John Shaqi.
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