On the BorderlandAustin, F. Britten (Frederick Britten)
Science
On the Borderland
Austin, F. Britten (Frederick Britten)
English fiction -- 20th century; Paranormal fiction; Short stories, English
“Sit down!” he commanded. The girl obeyed dully, one little
apprehensive glance at him the only sign of any mental life in her. She
sat upright, her hands on her lap, staring stupidly into the fire. Two
heavy tears collected themselves in her protuberant eyes rolled down
her cheeks. They seemed but to emphasize her degradation. Her tyrant
stood over her, his dark eyes hard.
“Lean back and go to sleep!”
She sank back among the cushions. Obviously, she had no will at all of
her own. Her eyes closed. Her expressionless face twitched for a moment
and then was as still as a mask. Her bosom heaved in the commencement
of deep and heavy breathing which continued in the normality of
slumber. The old man watched her, keenly and contemptuously alert for
any sign of simulation.
Kranz pulled a little table across to the fireplace. A telephone
instrument, incongruously utilitarian in this luxurious room, and
writing materials were on it.
“You should note down what is said, _Excellenz_,” he said earnestly, in
a low voice.
The old man ignored him, his eyes on the girl. Suddenly he shuddered in
a rush of cold air. The paper on the table fluttered as in a draught.
He turned to Kranz in savage irritation.
“Shut that window!”
Kranz shook his head.
“They are all shut, _Excellenz_!” His whisper was one of genuine awe.
“Hush! It’s beginning! _He’s come!_”
The old man favoured him with a glance of inexpressible contempt. The
scorn was still in his eyes when he jerked round to the girl again in
an involuntary start of surprise at a sudden greeting.
“Good evening, _Excellenz_!” The words issued from that expressionless
mask of the deeply breathing girl, but they were uttered in a tone of
easy jocularity, followed by a little good-humoured laugh, which was
uncanny in its contrast with her degraded personality. Despite the
feminine vocal chords which had articulated the phrase, the _timbre_
and intonation were vividly those of a man of the world.
The old man stared speechlessly. His faculties seemed inhibited under
the shock. The red faded out of his round face, left it ashen gray
under the close-cropped white hair. Kranz, watching him narrowly,
feared for his heart. He made a brusque little gesture as though
seizing control of himself.
“_Herr Gott!_ It’s--it’s _his_ voice!” he gasped.
His eyes turned to Kranz and there was fear in them, a primitive fear
of the supernatural. Trembling, he reeled rather than walked to the
chair by the table with the telephone, dropped heavily into it. Kranz
broke the oppressive silence, posed himself as master of the situation.
“Good evening, _Karl_!” he said as though welcoming an everyday
acquaintance into the room.
“Hallo, Kranz!” came the easy, jocular voice through the lips of the
entranced girl. “_Wie gehts?_ I am glad you persuaded His Excellency to
come. Now we can start!”
The old man pulled himself together, moistened his lips for speech.
“Is--is that really you, Karl?” he asked, unevenly.
Public-domain text, read in full here on John Shaqi.
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