On the BorderlandAustin, F. Britten (Frederick Britten)
Science
On the Borderland
Austin, F. Britten (Frederick Britten)
English fiction -- 20th century; Paranormal fiction; Short stories, English
“The other one,” replied the Professor, cutting the tip of his cigar
and lighting it carefully, with a critical glance at its even burning,
“is shorter. It is the explanation of those who are determined to
explain a great mass of well-attested and apparently abnormal facts
by normal agency. Their explanation in one word is--telepathy. You
know the idea--the common phenomenon of two people who utter a remark,
unconnected with previous conversation, at the same moment. Living
minds unconsciously act upon each other--that is experimentally
proved. Why, therefore, drag in dead ones? That is their argument.
Let us apply their theory. Hetty is in an abnormal condition. Captain
Sergeantson is coming to dinner. In his pocket he has a photograph of
the notorious German spy, Karl Wertheimer. In his mind he has a story
about him which he intends to relate. Now there are well-documented
cases of hallucinations of persons actually on their way to a house
where they were not expected appearing to their destined hostesses.
I could quote you dozens of examples. The telepathist says this is
because the guest forms in his mind a vivid picture of himself in that
house, which is projected forward to the hostess’s mind and causes her
to think she sees him. Now, Captain Sergeantson’s mind is not full
of himself--it is full of the story about Karl Wertheimer that he
is going to tell. Hetty’s mind--somehow--picks this up. She goes to
sleep and as in sleep, notoriously, the human mind has a faculty for
building up pictures and a story. Hetty dreams this story about Karl
Wertheimer. It is true that she has never seen Karl Wertheimer. But
Captain Sergeantson presumably has a visualization of him, including
the limp, in his mind. The subsequent hallucinations are explained by
the tendency to automatic repetition of any vivid impression upon the
nervous centres which excite a picture in consciousness. It is a more
or less tenable theory, but it would be gravely shaken if it happened
that, unknown to Hetty or Captain Sergeantson--_you actually had
something to do with a secret schedule which would interest our friends
the enemy_.”
There was a silence. Forsdyke’s brow wrinkled as he stared into the
fire. Suddenly he switched round to the Professor.
“That’s the devil of it, Lomax!” he exclaimed. “I have! A most secret
schedule. Thank God, it will be out of my possession to-morrow morning,
when I----”
“_Don’t_, Poppa!” cried Hetty, clapping her hand over his mouth. She
stared wildly around her. “I feel sure that someone is listening!”
Forsdyke freed himself with a gesture which expressed his impatience of
this absurdity.
“What do you make of that, Lomax?” he asked.
Public-domain text, read in full here on John Shaqi.
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