On the Development and Distribution of Primitive Locks and Keys — John Shaqi
On the Development and Distribution of Primitive Locks and KeysPitt-Rivers, Augustus Henry Lane-Fox
History
On the Development and Distribution of Primitive Locks and Keys
Pitt-Rivers, Augustus Henry Lane-Fox
Locks and keys
It is sometimes thought when simple contrivances such as weapons of
stone and bronze, some of the simpler kinds of ornaments, and of tools
obviously adapted to primeval life are found to extend over wide
areas, and in places very remote from one another, that the few ideas
necessary for the construction and use of them might easily have
suggested themselves independently in different places. To the student
of primitive culture who has become impressed with the persistency of
art forms, this independent origin of such things does not appear so
certain even in the case of the most simple contrivances. But when we
come to a complex piece of mechanism, such as a spring padlock having
several parts--the spring, the case, the parallel bar, and the key, in
all of which the resemblance is maintained in distant countries, and
which, with slight modification and continuously progressive
improvements, are put together in the same manner in all parts of the
world--such a supposition cannot be admitted, the necessity for a
common origin is apparent, and the study of the periods and the
circumstances connected with the distribution of it cannot be set
aside as superfluous.
Assuming that the tumbler pin-lock and the spring padlock cannot be
traced back earlier in Europe than the commencement of our era, it is
by no means certain that they may not have existed earlier elsewhere.
The commerce carried on with the East in early times was of a nature
to render it very probable that any contrivance for securing goods
should have spread from place to place with the merchandise exported
and imported between China, India, and Europe. A brief survey of the
trade relations between different countries will be sufficient to show
this.
Public-domain text, read in full here on John Shaqi.
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