The boys do all the hard work, and the personnel of the ambulance aids and abets with great good humor, though it is very upsetting. But then it is for the army--and what the army wants these days, it must have. Luckily the men in our ambulance just now are either convalescent, or, at any rate, able to sit up in bed and bear excitement. So the beds of the few who cannot be dressed are pushed close to the stage, and around their cots are the chairs and benches of their convalescent comrades. The rest of the beds are taken out. The big military band is packed into one corner of the room. Chairs are put in for the officers of the staff and their few invited guests--there are rarely more than half a dozen civilians. Behind the reserved seats are a few benches for the captains and lieutenants and the rest of the space is given up to the poilus, who are allowed to rush when the doors are opened. Of course the room is much too small, but it is the best we have. The wide doors are left open. So are the wide windows, and the boys are even allowed to perch on the wall opposite the entrance, from which place they can see the stage. The entire programme is given by the poilus; only one performer had a stripe on his sleeve, though many of them wore a decoration. What seems to me the prettiest of all is that all the officers go, and applaud like mad, even the white-haired generals, who are not a bit backward in crying "Bis, bis!" like the rest. The officers are kind enough to invite me and the card on my chair is marked "Mistress Aldrich." Isn't that Shakesperian? I sit among the officers, usually with a commandant on one side and a colonel on the other, with a General de Division, and a Général de Brigade in front of me, and all sorts of gilt stripes about me, which I count with curiosity, now that I have learned what they mean, as I surreptitiously try to discover the marks that war has made on their faces--and don't find them. The truth is, the salle is fully as interesting to me as the performance, good as that is--with a handsome, delicate-looking young professor of music playing the violin, an actor from the Palais Royale showing a diction altogether remarkable, two well-known gymnasts doing wonderful stunts on horizontal bars, a prize pupil from the Conservatory at Nantes acting, as only the French can, in a well- known little comedy, two clever, comic monologists of the La Scala sort, and as good as I ever heard even there, and a regimental band which plays good music remarkably. There is even a Prix de Rome in the regiment, but he is en congé, so I 've not heard him yet. I wonder if you take it in? Do you realize that these are the soldiers in the ranks of the French defence? Consider what the life in the trenches means to them!