On the Edge of the War Zone: From the Battle of the Marne to the Entrance of the Stars and StripesAldrich, Mildred
History
On the Edge of the War Zone: From the Battle of the Marne to the Entrance of the Stars and Stripes
Aldrich, Mildred
World War, 1914-1918 -- Personal narratives
They even have artists among the poilus to paint back drops and
make properties. So you see it is one thing to go to the theatre and
quite another to see the soldiers from Verdun giving a performance
before such a public--the men from the trenches going to the play in
the highest of spirits and the greatest good humor.
At the first experience of this sort I did long to have you there. It was
such a scene as I could not have believed possible in these days and
under these conditions if I had not actually taken part in it.
As soon as the officers had filed in and taken their seats the doors
and windows were thrown open to admit "la vague," and we all stood
up and faced about to see them come. It was a great sight.
In the aisle down the centre of the hall--there is only one,--between
the back row of reserved seats, stood Mlle. Henriette, in her white
uniform, white gloved, with the red cross holding her long white veil to
the nurse's coiffe which covered her pretty brown hair. Her slight, tall,
white figure was the only barrier to prevent "la vague" from sweeping
right over the hall to the stage. As they came through the door it did
not seem possible that anything could stop them--or even that they
could stop themselves--and I expected to see her crushed. Yet two
feet from her, the mass stopped--the front line became rigid as steel
and held back the rest, and, in a second, the wave had broken into
two parts and flowed into the benches at left and right, and, in less
time than it takes you to read this, they were packed on the benches,
packed in the windows, and hung up on the walls. A queer murmur,
half laugh and half applause, ran over the reserved seats, and the
tall, thin commandant beside me said softly, "That is the way they
came out of the trenches at Verdun." As I turned to sit down I had
impressed on my memory forever that sea of smiling, clean-shaven,
keen-eyed, wave on wave of French faces, all so young and so gay--
yet whose eyes had looked on things which will make a new France.
I am sending you the programme of the second matinée--I lost that of
the first.
Public-domain text, read in full here on John Shaqi.
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