On the Edge of the War Zone: From the Battle of the Marne to the Entrance of the Stars and StripesAldrich, Mildred
History
On the Edge of the War Zone: From the Battle of the Marne to the Entrance of the Stars and Stripes
Aldrich, Mildred
World War, 1914-1918 -- Personal narratives
You know well enough how I feel about these things. I have no
sentimentality about the war. A person who had that, and tried to live
here so near it, would be on the straight road to madness. If the world
cannot stop war, if organized governments cannot arrive at a code of
morals which applies to nations the same law of right and wrong
which is enforced on individuals, why, the world and humanity must
take the consequences, and must reconcile themselves to the belief
that such wars as this are as necessary as surgical operations. If one
accepts that point of view--and I am ready to do so,--then every
diabolical act of Germany will rebound to the future good of the race,
as it, from every point of view, justifies the hatred which is growing up
against Germany. We are taught that it is right, moral, and, from
every point of view, necessary to hate evil, and, in this 20th century,
Germany is the most absolute synonym of evil that history has ever
seen. Having stated that fact, it does not seem to me that I need say
anything further on the subject.
In the meantime, I have gone on imitating the people about me. They
are industriously tilling their fields. I continue cutting my lawn,
planting my dahlias, pruning my roses, tying up my flowering peas,
and watching my California poppies grow like the weeds in the fields.
When I am not doing that, with a pot in one hand, and the tongs in
the other, I am picking slugs out of the flower-beds and giving them a
dose of boiling water, or lugging about a watering-pot. I do it
energetically, but my heart is not in it, though the garden is grateful all
the same, and is as nice a symbol of the French people as I can
imagine.
We have the dragoons still with us. They don't interest me hugely--not
as the English did when they retreated here last September, nor as
the French infantry did on their way to the battlefield. These men
have never been in action yet. Still they lend a picturesqueness to the
countryside, though to me it is, as so much of the war has been, too
much like the decor of a drama. Every morning they ride by the gate,
two abreast, to exercise their lovely horses, and just before noon they
come back. All the afternoon they are passing in groups, smoking,
chatting, and laughing, and, except for their uniforms, they do not
suggest war, of which they actually know as little as I do.
After dinner, in the twilight, for the days are getting long, and the
moon is full, I sit on the lawn and listen to them singing in the street at
Voisins, and they sing wonderfully well, and they sing good music.
The other evening they sang choruses from "Louise" and "Faust,"
and a wonderful baritone sang "Vision Fugitive." The air was so still
and clear that I hardly missed a note.
Public-domain text, read in full here on John Shaqi.
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