I have got into a mood where it seems simply stupid to talk about it, since I am, as usual, only eternally a spectator. I only long to keep my eyes raised in a wide arc towards the end, to live each day as I can, and wait. So why should I try to write to you of things which I do not see, and of which only the last, faint, dying ripples reach us here? You really must not pity me, as you insist upon doing, because military restrictions draw a line about me, which I may not cross at my own sweet will. I am used to it. It is not hard. For that matter, it is much more trying to my French neighbors than it is to me. I seem never to have told you that even they may not leave the commune without a sauf-conduit. To be sure, they have only to go to the mairie, and ask for it, to get it. For months now the bridge over the Marne, at Meaux, has been guarded, and even those going to market cannot cross without showing their papers. The formality is very trying to them, for the reason that the mairie opens at eight, and closes at twelve not to reopen again until three and close at six. You see those hours are when everyone is busiest in the fields. The man or woman who has to go to market on Saturday must leave work standing and make a long trip into Quincy--and often they have three or four miles to go on foot to do it--just at the hour when it is least easy to spare the time. To make it harder still, a new order went out a few weeks ago. Every man, woman, and child (over fifteen) in the war zone has to have, after October 1, a carte d'identité, to which must be affixed a photograph. This regulation has resulted in the queerest of embarrassments. A great number of these old peasants--and young ones too--never had a photograph taken. There is no photographer. The photographer at Esbly and the two at Meaux could not possibly get the people all photographed, and, in this uncertain weather, the prints made, in the delay allowed by the military authorities. A great cry of protestation went up. Photographers of all sorts were sent into the commune. The town crier beat his drum like mad, and announced the places where the photographers would be on certain days and hours, and ordered the people to assemble and be snapped. One of the places chosen was the courtyard at Amélie's, and you would have loved seeing these bronzed old peasants facing a camera for the first time. Some of the results were funny, especially when the hurried and overworked operator got two faces on the same negative, as happened several times.