‘Well, as you like; but what an obstinate fellow you are!’ Insarov again made no reply. The young men made arrangements as to the day on which Insarov was to move. They called the landlord; at first he sent his daughter, a little girl of seven, with a large striped kerchief on her head; she listened attentively, almost with awe, to all Insarov said to her, and went away without speaking; after her, her mother, a woman far gone with child, made her appearance, also wearing a kerchief on her head, but a very diminutive one. Insarov informed her that he was going to stay at a cottage near Kuntsovo, but should keep on his lodging and leave all his things in their keeping; the tailor’s wife too seemed scared and went away. At last the man himself came in: he seemed to understand everything from the first, and only said gloomily: ‘Near Kuntsovo?’ then all at once he opened the door and shouted: ‘Are you going to keep the lodgings then?’ Insarov reassured him. ‘Well, one must know,’ repeated the tailor morosely, as he disappeared. Bersenyev returned home, well content with the success of his proposal. Insarov escorted him to the door with cordial good manners, not common in Russia; and, when he was left alone, carefully took off his coat, and set to work upon sorting his papers. VIII On the evening of the same day, Anna Vassilyevna was sitting in her drawing-room and was on the verge of weeping. There were also in the room her husband and a certain Uvar Ivanovitch Stahov, a distant cousin of Nikolai Artemyevitch, a retired cornet of sixty years old, a man corpulent to the point of immobility, with sleepy yellowish eyes, and colourless thick lips in a puffy yellow face. Ever since he had retired, he had lived in Moscow on the interest of a small capital left him by a wife who came of a shopkeeper’s family. He did nothing, and it is doubtful whether he thought of anything; if he did think, he kept his thoughts to himself. Once only in his life he had been thrown into a state of excitement and shown signs of animation, and that was when he read in the newspapers of a new instrument at the Universal Exhibition in London, the ‘contro-bombardon,’ and became very anxious to order this instrument for himself, and even made inquiries as to where to send the money and through what office. Uvar Ivanovitch wore a loose snuff-coloured coat and a white neckcloth, used to eat often and much, and in moments of great perplexity, that is to say when it happened to him to express some opinion, he would flourish the fingers of his right hand meditatively in the air, with a convulsive spasm from the first finger to the little finger, and back from the little finger to the first finger, while he articulated with effort, ‘to be sure... there ought to... in some sort of a way.’