The page announced the arrival of the two friends. They came in.
Bersenyev introduced Insarov. Elena asked them to sit down, and sat
down herself, while Zoya went off upstairs; she had to inform Anna
Vassilyevna of their arrival. A conversation was begun of a rather
insignificant kind, like all first conversations. Shubin was silently
watching from a corner, but there was nothing to watch. In Elena he
detected signs of repressed annoyance against him--Shubin--and that was
all. He looked at Bersenyev and at Insarov, and compared their
faces from a sculptor’s point of view. ‘They are neither of them
good-looking,’ he thought, ‘the Bulgarian has a characteristic
face--there now it’s in a good light; the Great-Russian is better
adapted for painting; there are no lines, there’s expression. But, I
dare say, one might fall in love with either of them. She is not in love
yet, but she will fall in love with Bersenyev,’ he decided to himself.
Anna Vassilyevna made her appearance in the drawing-room, and
the conversation took the tone peculiar to summer villas--not the
country-house tone but the peculiar summer visitor tone. It was a
conversation diversified by plenty of subjects; but broken by short
rather wearisome pauses every three minutes. In one of these pauses Anna
Vassilyevna turned to Zoya. Shubin understood her silent hint, and drew
a long face, while Zoya sat down to the piano, and played and sang all
her pieces through. Uvar Ivanovitch showed himself for an instant in the
doorway, but he beat a retreat, convulsively twitching his fingers. Then
tea was served; and then the whole party went out into the garden.... It
began to grow dark outside, and the guests took leave.
Insarov had really made less impression on Elena than she had expected,
or, speaking more exactly, he had not made the impression she had
expected. She liked his directness and unconstraint, and she liked his
face; but the whole character of Insarov--with his calm firmness and
everyday simplicity--did not somehow accord with the image formed in her
brain by Bersenyev’s account of him. Elena, though she did not
herself suspect it, had anticipated something more fateful. ‘But,’ she
reflected, ‘he spoke very little to-day, and I am myself to blame for
it; I did not question him, we must have patience till next time...
and his eyes are expressive, honest eyes.’ She felt that she had no
disposition to humble herself before him, but rather to hold out her
hand to him in friendly equality, and she was puzzled; this was not how
she had fancied men, like Insarov, ‘heroes.’ This last word reminded her
of Shubin, and she grew hot and angry, as she lay in her bed.
‘How did you like your new acquaintances?’ Bersenyev inquired of Insarov
on their way home.
‘I liked them very much,’ answered Insarov, ‘especially the daughter.
She must be a nice girl. She is excitable, but in her it’s a fine kind
of excitability.’
‘You must go and see them a little oftener,’ observed Bersenyev.
Public-domain text, read in full here on John Shaqi.
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