least with grammatical purity, and often with beauty, while in their every feature he will recognise the echo of a corresponding social culture. In Germany, on the other hand, they will strike him as unoriginal, flabby, filled with dressing-gown thoughts and expressions, unpleasantly spread out, and therewithal possessing no background of social form. At the most, owing to their scholarly mannerisms and display of knowledge, he will be reminded of the fact that in Latin countries it is the artistically-trained man, and that in Germany it is the abortive scholar, who becomes a journalist. With this would-be German and thoroughly unoriginal culture, the German can nowhere reckon upon victory: the Frenchman and the Italian will always get the better of him in this respect, while, in regard to the clever imitation of a foreign culture, the Russian, above all, will always be his superior. "We are therefore all the more anxious to hold fast to that German spirit which revealed itself in the German Reformation, and in German music, and which has shown its enduring and genuine strength in the enormous courage and severity of German philosophy and in the loyalty of the German soldier, which has been tested quite recently. From it we expect a victory over that 'up-to-date' pseudo-culture which is now the fashion. What we should hope for the future is that schools may draw the real school of culture into this struggle, and kindle the flame of enthusiasm in the younger generation, more particularly in public schools, for that which is truly German; and in this way so-called classical education will resume its natural place and recover its one possible starting-point.