On the Old Road Vol. 1 (of 2): A Collection of Miscellaneous Essays and Articles on Art and LiteratureRuskin, John
General
On the Old Road Vol. 1 (of 2): A Collection of Miscellaneous Essays and Articles on Art and Literature
Ruskin, John
Art; Essays; Literature
17. But the Negative character of the age is distinctive.
There has not before appeared a race like that of civilized
Europe at this day, thoughtfully unproductive of all
art--ambitious--industrious--investigative--reflective, and incapable.
Disdained by the savage, or scattered by the soldier, dishonored by the
voluptuary, or forbidden by the fanatic, the arts have not, till now,
been extinguished by analysis and paralyzed by protection. Our
lecturers, learned in history, exhibit the descents of excellence from
school to school, and clear from doubt the pedigrees of powers which
they cannot re-establish, and of virtues no more to be revived: the
scholar is early acquainted with every department of the Impossible, and
expresses in proper terms his sense of the deficiencies of Titian and
the errors of Michael Angelo: the metaphysician weaves from field to
field his analogies of gossamer, which shake and glitter fairly in the
sun, but must be torn asunder by the first plow that passes: geometry
measures out, by line and rule, the light which is to illustrate
heroism, and the shadow which should veil distress; and anatomy counts
muscles, and systematizes motion, in the wrestling of Genius with its
angel. Nor is ingenuity wanting--nor patience; apprehension was never
more ready, nor execution more exact--yet nothing is of us, or in us,
accomplished;--the treasures of our wealth and will are spent in
vain--our cares are as clouds without water--our creations fruitless and
perishable; the succeeding Age will trample "sopra lor vanita che par
persona," and point wonderingly back to the strange colorless tessera in
the mosaic of human mind.
18. No previous example can be shown, in the career of nations not
altogether nomad or barbarous, of so total an absence of invention,--of
any material representation of the mind's inward yearning and desire,
seen, as soon as shaped, to be, though imperfect, in its essence good,
and worthy to be rested in with contentment, and consisting
self-approval--the Sabbath of contemplation which confesses and
confirms the majesty of a style. All but ourselves have had this in
measure; the Imagination has stirred herself in proportion to the
requirements, capacity, and energy of each race: reckless or pensive,
soaring or frivolous, still she has had life and influence; sometimes
aiming at Heaven with brick for stone and slime for mortar--anon bound
down to painting of porcelain, and carving of ivory, but always with an
inward consciousness of power which might indeed be palsied or
imprisoned, but not in operation vain. Altars have been rent,
many--ashes poured out,--hands withered--but we alone have worshiped,
and received no answer--the pieces left in order upon the wood, and our
names writ in the water that runs roundabout the trench.
Public-domain text, read in full here on John Shaqi.
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