On the Old Road Vol. 1 (of 2): A Collection of Miscellaneous Essays and Articles on Art and LiteratureRuskin, John
General
On the Old Road Vol. 1 (of 2): A Collection of Miscellaneous Essays and Articles on Art and Literature
Ruskin, John
Art; Essays; Literature
mere form of enumeration adopted in the preliminary chart of the
schools; and giving as yet account only of that period to which the mere
artist looks with least interest--while the work, even when completed,
will be nothing more than a single pinnacle of the historical edifice
whose ground-plan is laid in the preceding essay, "Progression by
Antagonism":--a plan, by the author's confession, "too extensive for his
own, or any single hand to execute," yet without the understanding of
whose main relations it is impossible to receive the intended teaching
of the completed portion.
23. It is generally easier to plan what is beyond the reach of others
than to execute what is within our own; and it had been well if the
range of this introductory essay had been something less extensive, and
its reasoning more careful. Its search after truth is honest and
impetuous, and its results would have appeared as interesting as they
are indeed valuable, had they but been arranged with ordinary
perspicuity, and represented in simple terms. But the writer's evil
genius pursues him; the demand for exertion of thought is remorseless,
and continuous throughout, and the statements of theoretical principle
as short, scattered, and obscure, as they are bold. We question whether
many readers may not be utterly appalled by the aspect of an "Analysis
of Human Nature"--the first task proposed to them by our intellectual
Eurystheus--to be accomplished in the space of six semi-pages, followed
in the seventh by the "Development of the Individual Man," and applied
in the eighth to a "General Classification of Individuals": and we
infinitely marvel that our author should have thought it unnecessary to
support or explain a division of the mental attributes on which the
treatment of his entire subject afterwards depends, and whose terms are
repeated in every following page to the very dazzling of eye and
deadening of ear (a division, we regret to say, as illogical as it is
purposeless), otherwise than by a laconic reference to the assumptions
of Phrenology.
"The Individual Man, or Man considered by himself as an unit in
creation, is compounded of three distinct primary elements.
1. Sense, or the animal frame, with its passions or affections;
2. Mind or Intellect;--of which the distinguishing
faculties--rarely, if ever, equally balanced, and by their
respective predominance determinative of his whole character,
conduct, and views of life--are,
i. Imagination, the discerner of Beauty,--
ii. Reason, the discerner of Truth,--
the former animating and informing the world of Sense or Matter,
the latter finding her proper home in the world of abstract or
immaterial existences --the former receiving the impress of things
Objectively, or _ab externo_, the latter impressing its own ideas
on them Subjectively, or _ab interno_--the former a feminine or
passive, the latter a masculine or active principle; and
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