On the Origin of Clockwork, Perpetual Motion Devices, and the CompassPrice, Derek J. de Solla (Derek John de Solla)
History
On the Origin of Clockwork, Perpetual Motion Devices, and the Compass
Price, Derek J. de Solla (Derek John de Solla)
Clocks and watches; Horology
We have reserved to the last one section of evidence which may or may
not be misleading, the famous notebook of Villard (Wilars) of
Honnecourt, near Cambrai. The album, attributed to the period 1240-1251,
contains many drawings with short annotations, three of which are of
special interest to our investigations.[37] These comprise a steeplelike
structure labeled "cest li masons don orologe" (this is the house of a
clock), a device including a rope, wheel and axle (fig. 20), marked "par
chu fait om un angle tenir son doit ades vers le solel" (by this means
an angel is made to keep his finger directed towards the sun), and a
perpetual motion wheel which we shall reserve for later discussion.
The clock tower, according to Drover, shows no place for a dial but
suggests the use of bells because of its open structure, suitable for
letting out the sound. Moreover, he suggests that the delicacy of the
line indicates that it was not really a full-size steeple but rather a
small towerlike structure standing only a few feet high within the
church. There is, alas, nothing to tell us about the clock it was
intended to house; most probably it was a water clock similar to that of
the illustrated Bible of _ca._ 1285.
The drawing of the rope, wheel and axles, for turning an angel to point
towards the sun can have a simple explanation or a more complicated one.
If taken at its face value the wheel on its horizontal axis acts as a
windlass connected by the counterpoised rope to the vertical shaft which
it turns, thereby moving (by hand) the figure of an angel (not shown)
fixed to the top of this latter shaft. Such an explanation was in fact
suggested by M. Quicherat,[38] who first called attention to the Villard
album and pointed out that a leaden angel existed in Chartres before the
fire there in 1836. It is a view also supported from another drawing in
the album which describes an eagle whose head is made to turn towards
the deacon when he reads the Gospel. Slight pressure on the tail of the
bird causes a similar rope mechanism to operate.
Public-domain text, read in full here on John Shaqi.
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