On the Plantation: A Story of a Georgia Boy's Adventures during the War — John Shaqi
On the Plantation: A Story of a Georgia Boy's Adventures during the WarHarris, Joel Chandler
History
On the Plantation: A Story of a Georgia Boy's Adventures during the War
Harris, Joel Chandler
Adventure stories; Boys -- Fiction; Georgia -- History -- Civil War, 1861-1865 -- Fiction; Plantation life -- Fiction; War stories
As for Joe Maxwell, he had no time to think about such things. He
sometimes rode with the patrol on their fruitless and sometimes foolish
errands, but his curiosity with regard to them was soon satisfied, and
he was better contented when he was spending his evenings at home with
his books, or in listening to the wonderful tales that Mr. Snelson
told for his benefit. In spite of the fact that his work in the little
printing-office was confining, the lad managed to live an outdoor life
for a good part of the time. He had a task to do--so many thousand ems
to set--and then he was through for the day. The thoughtful Mr. Snelson
added to this task from time to time, but Joe always managed to complete
it so as to have the greater part of the afternoon for his own.
There was a hat-shop on the plantation presided over by Mr. Wall, a
queer old man from North Carolina. With the thrift of youth Joe gave
the amusement of rabbit-hunting a business turn. In the fall and winter,
when the rabbits were in fur, their skins could be sold at the
hat-shop at twenty-five cents a dozen, and the little harriers were so
industrious and so well trained that he sometimes sold as many as three
dozen skins, a week. In addition to the pleasure and the money he got
from the sport, he became very much interested in the hat-shop.
The hats were made as they had been during the Revolution, and as they
were no doubt made in England before the Revolution. The hair on the
pelts or skins was scraped off with a knife fashioned like a shoemaker's
knife. The fur was then cut away with a steel blade that had no handle.
When there was enough fur to make a hat it was placed on a bench or
counter. Over the counter was suspended a long staff, to which was
fastened a bowstring. If the staff had been bent it would have had the
appearance of a huge bow, but it was straight, and the rawhide string
was allowed a little play. With an instrument not unlike a long spool
the hatter would catch the bowstring, pull it away from the staff, and
allow it to whip against the fur as it sprang back into place. This
whipping was carried on very rapidly, and was kept up until every tuft
of fur was broken apart. Then the fur was whipped gently into what was
called a bat, shaped somewhat like a section of orange peel. The hatter
then spread a cambric cloth carefully over it, pressed it down a little,
seized the cloth in the middle between thumb and forefinger, gave it a
flirt in the air and lifted fur and all. To Joe Maxwell it seemed like a
trick of magic.
Public-domain text, read in full here on John Shaqi.
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