“Whirling Wonders of the World on Wheels” are “cycling champions in
clubs and coteries, in single, double and tandem teams, in wheeling
fads, fancy and freakish, in pictorial and picturesque peripatetic
posturings.”
Proceeding, he describes the elephants as “mountains in motion,
ponderous and perspicacious pachyderms, in marvellous, military
manoeuvres.”
The districts remote from New York are assured that “every element and
entity that enthused, excited and enthralled in the enormous Madison
Square Garden will be a part and parcel of the prodigious performance.”
And as a “super-splendid spectacular suggestion of greater, grander
glories yet to come, early in the forenoon of the day of exhibition
there will pass through the principal streets of the city the most
mammoth, monster mass of moving magnificence that ever fell athwart the
delighted, gratified, entranced vision of the human eye, the nearly
all new free street parade, including an interesting and instructive
illustration of the progress of our glorious Republic, showing in
correct uniform the soldiers of all American wars; gorgeous tableaux,
many massive, open dens, glittering cavalcades of knights and ladies,
representatives of the regiment of Roosevelt’s Rough Riders, comic
clowns and grotesque grimaldis, rollicking rubes and jolly jays, herds
of ponderous elephants, droves of camels, floods of music from military
bands, etc., etc.”
* * * * *
“Some circus owners never appreciate the valuable services we render
them,” lamented a veteran press agent who has toured two continents
under a tent. “The ignominious end of my graveyard specialty is an
example of the palpable lack of sentiment and business astuteness
sometimes disclosed when one least expects it. I observed that almost
every town has turned upon the public a circus man of high or low
degree, who finally returns to his native spot to pass his last days
and be put away in the local cemetery. With the arrival of the circus
his career becomes a topic of conversation among the townsfolk and
invariably newspaper reporter, hotel keeper or some other resident
engaged me in talk about the man. I always unblushingly remembered
him vividly and was able, after a few leading questions, to shed much
entertaining light upon his circus life, to express well-feigned
surprise that the body of so well-known a character was buried there
and to express a deep feeling of sorrow over the loss the profession
had sustained in his death. Sometimes I would urge the erection of a
more suitable monument and reproach townspeople for their neglect.
“Not infrequently the subject of my solicitude had been a four-horse
driver, a trombone player or a stake driver. But his professional
insignificance was not appreciated by the friends of his life time,
my tender expressions made good feelings toward the show, and I let
no opportunity pass ungrasped. Sometimes the newspapers quoted my
sentiments, and it helped business.
Public-domain text, read in full here on John Shaqi.
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