“If I had only been content with my own perfidious eloquence I wouldn’t
have got disgusted and quit. But I was ambitious and wanted to throw
away no chance to boom the show. So, soon, in every town in which
I could locate an appropriate headstone, I put on black clothes, a
countenance of becoming sadness and marched the band to the graveyard.
They played dirges all the way. Frank Morris, the orator of the circus,
accompanied us and I had him make an address at the grave. I wrote
out three non-committal speeches and there was no dead man whose life
didn’t fit one or judiciously selected parts of the three. They were
all very affecting, and made the women cry. On the way back to the lot
we always got a loving ovation. The newspapers spoke approvingly of the
proceedings and the residents thought it a great compliment. I was very
proud of myself.
“The thing went along swimmingly for several weeks and my motives were
never openly assailed, although I think once or twice there lurked
a suspicion in the minds of shrewd townspeople that their departed
brother wasn’t all in life that we represented him. Anyway, I know
it brought money to the circus, and I could never understand the
boss’s secret disapproval. He never offered any sensible, legitimate
objection, but I could tell by his manner that he was afraid of some
kind of a boomerang finish some day. I persevered aggressively,
nevertheless, and was confident he would never get a valid excuse for
forbidding us to continue. I knew the experienced old man of affairs
was waiting warily for a chance.
“The success or failure of the concert depended in a great measure
upon Morris’s oratory. When in good voice and spirits, he could fairly
glue his auditors to their seats. They wouldn’t budge until they had
seen all the concert attractions about which he had so insinuatingly
roared. So it was through him that the boss found opportunity to base
a complaint, put an end to my practices and lower my estimate of his
business intelligence. One unlucky day Morris caught a bad cold. He was
hoarse and depressed, and his announcement was received with little
favor. The concert attendance was small and the head of the show was
quick to seize his advantage--and strike at my burying-ground plot.
“‘Morris got that cold in one of your graveyards,’ he addressed me,
reproachfully, ‘and we’ll have to give him a rest from this double
duty. Let those fellows rest in peace in their graves after this!’
“I left the show a month later, disgusted and discouraged, and found a
place where my fine art received support and confidence and gratitude.”
* * * * *
Public-domain text, read in full here on John Shaqi.
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