Simple modesty characterized his life of spectacular success, and now,
when time has forbidden active participation and a new generation
has entered upon the stage, he accepts with cheerful philosophy his
relegation, to a uniform which bespeaks only the cracking of a whip.
His wife, many years his junior, is one of the conspicuous performers,
for he has taught her all the finish and art of bareback riding, and
made her one of the cleverest wire-walkers with the show. He is always
at her side when she performs, advising, correcting, praising, and, as
she elicits admiring gaze, few in the audience recognize his figure as
the one in whom so much sentimental interest centres. The press agent,
extolling the youth and beauty and grace of the performer, points him
out casually to the reporters as her “father” and flatters himself that
he is subserving the interests of the show; but if the woman knew of
the tale she would promptly put a stop to its circulation. She is proud
of her kindly old husband and wants the world to know it. She boasts
no circus pedigree, as do most of her comrades, and was schooled in
the circus arena after she had reached her majority. She is a living
refutation of the tradition that one must be born to the ring.
We watch her rehearsals in the spring with curiosity, and the other
performers always profit by the directions and advice the veteran gives
her. Sometimes, to his practised mind, she is awkward and slow of
comprehension. Then I have seen him jump to his feet and leap to the
horse’s back. He forgets his forbidding age, in the emotions of the
past, and would fain give her the benefit of a demonstration. But his
feet have lost their inspiration, his hold is unsteady and his muscles
do not respond. He alights rather shamefacedly. The young athletes pat
him kindly on the back and cheer him with words of his former glory;
and his wife puts her arms around his neck and says he’s a dear old
fellow. Love and loyalty will be his enduring memorial.
Public-domain text, read in full here on John Shaqi.
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