Meanwhile “Boscow” unremittingly consumes snakes in a gaudy canvas
booth at the entrance to the grounds. Clyde, a man of long established
integrity and not deficient in lungs, gives personal assurances of the
progress of the reptilian feast. “Eighteen years old, not married,
pretty; and eats snakes like you eat strawberry short-cake! Eats ’em
alive! Bites their heads off!” is his frequently repeated promise, and
the constant, eager procession passing his stand and into the ophidian
enclosure, testifies to the weight of his forceful eloquence.
Squatting in a cavernous serpentarium, patrons find “Boscow,” feminine
in appearance only because of long, coarse black hair, surrounded by
coiling, crawling reptiles. “She” has presumably just completed an
especially elaborate animal meal, for to the nostrils comes the breath
of tobacco and upwards winds the suspicion of cigar smoke. But “Boscow”
waves away the muttered insinuations which penetrate even into “her”
wild, untutored mind, and at the word of command eats ravenously of the
amphibian mass which surrounds “her” on all sides.
“Boscow” was captured in the far-off jungles of Africa, Harry, the
lecturer explains, and in wonderful words he continues of “her” fight
for liberty, the ineffectual efforts to tame “her” savage nature, and
“her” sullen refusal to discontinue snake diet. It is very awesome
and impressive, and the audience, before making way for the clamoring
ones behind, look with renewed interest at the strange creature.
“Her” appearance lends belief to the fluent narrative, and to the
more shrinking ones is proof of the need of precautionary measures in
the dismal clanking of heavy binding chains as “she” springs scowling
about the compartment. Little wonder no credence is placed in the
bold assertion of one who proclaims that he saw “Boscow’s” brother,
or surely a near blood relative, perspiring freely as he helped
in the erection of the booth that morning. Her kin are, of course,
in a remote, uncivilized land, and as ferocious as the girl herself.
The incredulous person saunters off with dim wonder at the remarkable
likeness filling his mind, Clyde’s frantic invitation to go inside
pours out tirelessly, and Harry paints again and again the glowing
picture of the snake-eating wonder.
[Illustration: TWO HEN’S EGGS, HAMMER, FILE AND NAIL-CLAW PRESENTED A
PLEADING, PENNILESS MISSISSIPPI NEGRO BOY TO SECURE ADMISSION. HE GOT
IN.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account