Through densely crowded streets the procession measures its gaudy
passage, a handsome lovelorn young acrobat yearning for the return to
the tent, where an eighteen-year-old girl somersault rider eagerly
awaits him; the stepmother behind, who doesn’t approve of their
devotion; a uniformed marshal, whose thoughts are for his wife,
seriously ill in a Philadelphia hospital; a brother who fears for
his sister; a bicycle rider at the performance, now high on the back
of an elephant whose temper has been bad for several days; Sultan,
a majestic lion, viewing it all calmly from the top of a high cage;
bands playing, horses prancing, wagons rumbling, calliope screaming,
clowns frollicking--truly a fantastic panorama. And sometimes ahead,
then behind, again on the side, a tramp bicyclist, darting up steps and
down, scaling fences, into stores and houses, often one wheel off the
ground, seldom on both, but never dismounting.
By the side of the band wagons and behind the shrieking calliope a
cloud of boys keeps tireless pace, reeling off mile after mile, but
gorged with happiness. Street cars make time with the procession,
jammed with passengers and scores hanging to platforms, paying no fares
but this eloquent testimony to the passing show. The tigers and lions
look bored, and the hyena yawns with accumulated ennui. Behind, the
gorgeously caparisoned riders, men and women in tights and spangles
and breastplates of shining gold and steel; behind, the richly-decked
camels with riders from the great desert and the elephants swaying to
and fro with monotonous tread, and near the end of the gaudy line, the
fairy outfit of Santa Claus, the old woman of nursery fame, Bluebeard
in decapitation attitude and the other tableau wagons of burnished gold
and flaming red.
The clowns are very much in evidence. Behind all manner of steeds, from
the camel treading like a dusty spectre with his cushioned feet, to the
proud pony, and from the four-horse teams to the decrepit agricultural
equine; on foot and on elephant and on bicycle; in costume weird and
wonderful, they are an amusement-affording part of the cortege. Boys
flock by their sides, and their ready wit is equal to all exigencies.
Well has the press agent written:
Clowns on four legs,
Clowns on two,
Clowns the cutest you ever knew;
Clowns on the earth,
Clowns in the air,
Clowns in the water,
Clowns everywhere;
Clowns in seal-skins,
Clowns in hair,
Clowns with whom no others compare;
Clowns in motley,
Clowns with wings,
Clowns that accomplish marvellous things;
Clowns in dress suits,
Clowns in kilts,
Clowns in long skirts,
Clowns on stilts,
Clowns that mimic every fad,
Clowns that make the millions glad,
Clowns that cause the buttons to fly,
Clowns at whom you laugh till you cry;
Clowns of every nation and clime,
Clowns uproarious all the time,
Clowns and more than you ever saw,
Clowns that make the world haw-haw.
Public-domain text, read in full here on John Shaqi.
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