Hassan Ali, the Egyptian giant, eight feet two inches tall (one has the
orator’s word for it), comes each year from the land of his nativity
to arouse American wonder and earn American money. He is the pest of
hotel keepers on the route, for on Sunday nights he chooses to pass the
time for slumber away from the cramped recesses of the circus car and
in the regulation bedstead of commerce. The view of Hassan, dreaming
of his far-off home, with his brown legs protruding, from the knees
down, over the foot-board and his skull rammed against the headpiece,
is a sight people flock from all parts of the house to witness. About
midnight, generally, there is a noise like an explosion, a rattle,
crash and shimmer. The other circus guests turn over and resume sleep;
they know the familiar sound, it is the shattering of the giant’s bed.
The landlord, hurrying to the apartment, finds Hassan on the floor,
enveloped in slats, sheets, counterpane and mattress. This is almost
a weekly performance and causes Hassan to breathe awful Egyptian
imprecations against modern American furniture. No visitor to the
side-show has ever approached him in height, and only one person, an
aged man wearing a G. A. R. badge, has been able to seize, by standing
on a chair, the photograph guaranteeing circus admission which the
giant holding between upraised fingers and resting on the floor is
accustomed to offer as a reward for the feat. Hassan was much mortified
over the veteran’s accomplishment, but finds balm in the consciousness
that no one else has duplicated the achievement. His favorite exploit
is to spread his extended fingers from edge to edge of the top of an
ordinary waterpail. If you think it a simple digital trick, try it.
The whole energies of a slender man with a trim figure are devoted to
entertaining the side-show visitors. He talks almost unceasingly from
morning until night in brief but lucid descriptions of the assembly
of oddities. His addresses are delivered with great ostentation and
search after effect. He is a man of easy wit and repartee, and of tact
and practical intelligence; qualifications necessary to the successful
conduct of his vocal calling. Each “freak,” barring the “wild man,” has
for sale personal photographs, the receipts for which the management
lays no claim to. This is an important part of their incomes, and the
lecturer’s failure to call attention to the offering brings upon him
reproach and censure. I attach one of his harangues, exactly as he
delivered it one afternoon before an audience of grinning Connecticut
countrymen. It is interesting as a truthful reproduction of a style of
unique oratory which prevails nowhere else.
Public-domain text, read in full here on John Shaqi.
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