Each one of the men at the main entrance understands his manifold
duties perfectly and there is no confusion. Annoying problems enough
present themselves, but the quick-witted, ready circus man solves them
without hesitation. Complaints innumerable flow to the main entrance,
but everybody receives a fair hearing and just treatment in so far as
human effort can bring it about. Fault-finding women are the bane.
There is almost no extreme of compromise to which the showman will not
go to rid himself of the presence of a member of the other sex when she
is wrought up over a conviction that she has been imposed upon. She
blocks the passage way, gesticulating madly, protesting volubly and
threatening all manner of things. She is generally tall and angular,
wears spectacles, carries a cotton umbrella, has a crying child by the
hand and is famous in the town as a virago. Dutch and Curley cower
before her outburst, and the general manager promises her all she
demands if she will only pass on. With a parting volley of abuse she
flaunts into the menagerie tent and a feeling of great relief pervades
all. Her reappearance, with a lament about the unsatisfactory locality
of her seat, may be confidently expected later.
[Illustration: BEFORE THE CROWD COMES.]
Vigilant canvasmen picket the stretches of cloth, alert lest the
small boy or his older relative crawl under the fabric and gain free
admission. The duty is one demanding keen eye and active body, for
once the canvas folds after the invader he is generally secure from
capture; a scamper under the low rows of seats or into the crowd eludes
successful pursuit and recognition. So watchful, however, are these
patrolmen and so obdurate against pleading juvenile persuasion that
surreptitious entrance is effectually barred. The circus-fascinated
but impecunious youngster must needs vicariously satisfy his longing
by turning handsprings outside the barrier. The stirring band music
carried to his ears conjures immeasurable pleasures in his mind and is
madly irritating.
The press agent receives his newspaper guests at the main entrance.
They have been provided with tickets bearing his name. To the reporter
assigned to write up the circus and to the responsible heads of the
newspaper he gives slips of paper passing them into an enclosure from
which is afforded an undisturbed survey of all that is transpiring,
and brings to closer view the excelling features of the performance.
Later he joins them there, explains the show’s superiority over all
competitors and is generally entertaining. He presses peanuts and
lemonade upon them and sends them away in friendly mood.
Public-domain text, read in full here on John Shaqi.
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