On the Stage--and Off: The Brief Career of a Would-Be ActorJerome, Jerome K. (Jerome Klapka)
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On the Stage--and Off: The Brief Career of a Would-Be Actor
Jerome, Jerome K. (Jerome Klapka)
Actors -- Great Britain -- Biography; Jerome, Jerome K. (Jerome Klapka), 1859-1927
This poor fellow had been a super for a good many years, but there
had evidently been a time when he had played a very different part
in life. “Gentleman” was stamped very plainly upon his thin face, and
where he was not crazy he showed thought and education. Rumor said
that he had started life as a young actor, full of promise and talent,
but what had set him mad nobody knew. The ladies naturally attributed
it to love, it being a fixed tenet among the fair sex that everything
that happens to mankind, from finding themselves in bed with their
boots on to having the water cut off, is all owing to that
tender passion. On the other hand, the uncharitable--generally
a majority--suggested drink. But nobody did anything more than
conjecture: nobody really knew. The link between the prologue and the
play was lost. Mat himself was under the firm conviction that he was a
great actor who was only kept from appearing in the leading _rôles_ by
professional jealousy. But a time would come, and then he would show
us what he could do. Romeo was his great ambition. One of these days
he meant to act that character. He had been studying it for years,
he once whispered to me in confidence, and when he appeared in it, he
knew he should make a sensation.
Strange to say, his madness did not interfere at all with his superial
duties. While on the stage he was docile enough, and did just as he
saw the other supers do. It was only off the stage that he put on his
comically pathetic dignity; then, if the super-master attempted to
tell him what to do he would make a ceremonious bow, and observe, with
some hauteur, that Mr. St. George Clement was not accustomed to be
instructed how to act his part. He never mixed with the other supers,
but would stand apart, talking low to himself, and seeming to see
something a long way off. He was the butt of the whole theater, and
his half-timid, half-pompous ways afforded us a good deal of merriment;
but sometimes there was such a sad look in Mat’s white face, that it
made one’s heart ache more than one’s sides.
His strange figure and vague history haunted my thoughts in a most
uncomfortable manner. I used to think of the time when those poor
vacant eyes looked out upon the world, full of hope and ambition,
and then I wondered if _I_ should ever become a harmless idiot, who
thought himself a great actor.
CHAPTER VII. Dressing.
[Illustration: 9076]
E had no dress rehearsal. In the whole course of my professional life,
I remember but one dress rehearsal. That was for a pantomime in the
provinces. Only half the costumes arrived in time for it. I myself
appeared in a steel breast-plate and helmet, and a pair of check
trousers; and I have a recollection of seeing somebody else--the King
of the Cannibal Islands, I think--going about in spangled tights and
a frock coat. There was a want of finish, as one might say, about the
affair.
Public-domain text, read in full here on John Shaqi.
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