On the Stage--and Off: The Brief Career of a Would-Be Actor — John Shaqi
On the Stage--and Off: The Brief Career of a Would-Be ActorJerome, Jerome K. (Jerome Klapka)
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On the Stage--and Off: The Brief Career of a Would-Be Actor
Jerome, Jerome K. (Jerome Klapka)
Actors -- Great Britain -- Biography; Jerome, Jerome K. (Jerome Klapka), 1859-1927
The truth is that where a green room was originally provided, it has
been taken by the star or the manager, as his or her private room, and
the rest of the company, are left to spend their off time either in
their own dressing-rooms, where they are always in each other’s
way, or at the wings, where they catch cold, and are hustled by the
scene-shifters.
CHAPTER VIII. My “First Deboo”
[Illustration: 9086]
N Saturday came the opening night, and with it my first appearance
before the British public--my “first deboo” as our perruquier called
it. In thinking about it beforehand, I had been very much afraid
lest I should be nervous; but strange to say, I never experienced
stage-fright at any time. I say strange, because, at that period of my
life at all events, I was--as true greatness generally is--of a modest
and retiring disposition. In my very early youth, I believe, I was not
so. I am told that in my frock and pinafore days, I used to stand
upon the table, and recite poetry, to the intense gratification of
my elderly relatives (ah, the old folks knew how to enjoy themselves,
when I was a boy!); and an old nurse of mine always insisted that on
one occasion I collected half a crown in an omnibus by my spirited
rendering of “Baa, baa, black sheep.” I have no recollection of this
performance myself though, and, if it really did take place, where’s
the money? This part of the question has never, to my mind, been
satisfactorily cleared up.
But however self-possessed I may have been at eight, I was anything
but so at eighteen. Even now, I would not act to a drawing-room full
of people for a thousand pounds--supposing the company considered the
effort worth that sum. But before a public audience, I was all right,
and entirely free from that shyness about which, in private life, my
lady friends so bitterly complain. I could not see the people for one
thing--at all events, not those beyond the third row of stalls. The
blaze of light surrounding one on the stage, and the dimness of
the rest of the house, give the audience a shadowy and ghost-like
appearance, and make it impossible to see more than a general mass of
white faces. As I never noticed the “hundreds upon hundreds of
glaring eyes,” they did not trouble me, and I let ‘em glare. The most
withering glance in the world won’t crush a blind man.
If I had been nervous on the first night, I think I should have had a
good excuse for it, knowing, as I did, that a select party of my most
particular friends, including a few medical students and clergymen’s
sons, were somewhere in the theater; having come down, in a body with
the intention of giving me a fair start, as they said. They had insisted on
coming. I had begged them not to trouble themselves on my account, but
they wouldn’t hear of it. They said it would be such a comfort to me
to know that they were there. That was their thoughtful kindness. It
touched me.
Public-domain text, read in full here on John Shaqi.
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