On the Stage--and Off: The Brief Career of a Would-Be ActorJerome, Jerome K. (Jerome Klapka)
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On the Stage--and Off: The Brief Career of a Would-Be Actor
Jerome, Jerome K. (Jerome Klapka)
Actors -- Great Britain -- Biography; Jerome, Jerome K. (Jerome Klapka), 1859-1927
It was about the end of October when I found myself once more in
London. The first thing I then did was to go to my old shop on the
Surrey-side. Another company and another manager were there, but the
latter knew me, and, as I owned a dress suit, engaged me at a salary
of twelve shillings weekly to play the part of a swell. When I had
been there just one week, he closed. Whether it was paying me that
twelve shillings that broke him, I cannot say; but on Monday morning
some men came and cut the gas off, and then he said he shouldn’t go on
any longer, and that we must all do the best we could for ourselves.
I, with two or three others, thereupon started off for a theater at
the East End, which was about to be opened for a limited number of
nights by some great world-renowned actor. This was about the fortieth
world-renowned party. I had heard of for the first time within the
last twelvemonth. My education in the matter of world-renowned people
had evidently been shamefully neglected.
The theater was cunningly contrived, so that one had to pass through
the bar of the adjoining public-house--to the landlord of which
it belonged--to get to the stage. Our little party was saved from
temptation, however, for I don’t think we could have mustered
a shilling among the lot of us that morning. I was getting most
seriously hard up at this time. The few pounds I had had left, after
purchasing my wardrobe and paying my railway fares, etc., had now
dwindled down to shillings, and, unless things mended, I felt I
should have to throw up the sponge and retire from the stage. I was
determined not to do this though, till the very last, for I dreaded
the chorus of “I told you so’s,” and “I knew very well how ‘twould
be’s,” and such like well-known and exasperating crows of triumph,
with which, in these cases, our delighted friends glorify themselves
and crush us.
The East End theater proved a stop-gap for a while. I was fortunate
enough to be one of those engaged out of the crowd of eager and
anxious applicants, among whom I met a couple from the fit-up company
I had lately left, they having come to the same conclusion as myself,
viz., that it was impossible to live well and “dress respectably on
and off the stage” upon an average salary of ten shillings weekly. The
engagement was only for a fortnight, and there is only one incident
connected with it that I particularly remember. That was my being
“guyed” on one occasion. We were playing a melodrama, the scene
of which was laid in some outlandish place or other, and the stage
manager insisted on my wearing a most outrageous costume. I knew
it would be laughed at, especially in that neighborhood, and my
expectations were more than fulfilled. I hadn’t been on the stage
five seconds before I heard a voice from the gallery hoarsely inquire:
“What is it, Bill?” And then another voice added: “Tell us what it is,
and you shall have it.”
Public-domain text, read in full here on John Shaqi.
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