On the Stage--and Off: The Brief Career of a Would-Be ActorJerome, Jerome K. (Jerome Klapka)
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On the Stage--and Off: The Brief Career of a Would-Be Actor
Jerome, Jerome K. (Jerome Klapka)
Actors -- Great Britain -- Biography; Jerome, Jerome K. (Jerome Klapka), 1859-1927
A good deal of laughter followed these speeches. I got hot all over,
and felt exceedingly uncomfortable and nervous. It was as much as I
could do to recollect my part, and it was with a great effort that I
began my first line. No sooner had I opened my mouth, however, than
somebody in the pit exclaimed, in tones of the utmost surprise,
“Blowed if it ain’t alive!”
After that, the remarks on my personal appearance fell thick and fast:
“Look well in a shop window, that bloke!” “Nice suit to take your gal
out on a Sunday in!”
“This style, thirty shillings,” etc.; while one good-natured man
sought to put me at my ease by roaring out in a stentorian voice,
“Never you mind, old man; you go on. They’re jealous ‘cos you’ve got
nice clothes on.” How I managed to get through the part I don’t know.
I became more nervous and awkward every minute, and, of course, the
more I bungled, the more the house jeered. I gained a good deal of
sympathy behind, for most of them had had similar experiences of their
own; but I was most intensely miserable all that evening, and, for the
next night or two, quite dreaded to face the audience. Making game of
any one is a very amusing occupation, but the “game” doesn’t see
the fun till a long while afterward. I can’t bear to hear any of the
performers chaffed when I’m at a theater. Actors are necessarily a
sensitive class of people, and I don’t think those who make fun of
them, when any little thing goes wrong, have any idea of the pain they
are inflicting. It is quite right, and quite necessary sometimes,
that disapprobation should be expressed, and that unmistakably, but it
should be for the purpose of correcting real faults. “Guying” is, as
a rule, indulged in only by the silliest portion of the audience, and
for no other object but to display their own vulgar wit.
After my fortnight at the East End, I went as one of the chorus in a
new opera-bouffe to be brought out at a West End theater. We rehearsed
for three weeks, the piece ran for one, and then I again took a
provincial engagement, which, as it was now close upon Christmas, was
easy enough to obtain.
Public-domain text, read in full here on John Shaqi.
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