It was his father, I presume, who was with him as I passed the library
door: a bent, gray man, with a square head and a yellow face. A third
man was between them; a tall, dry, cold fellow with iron-gray beard and
no mustache--a face in the old New England tradition. This man was, of
course, their lawyer, and I judge that he gave them little comfort. I
felt him as chill and slow, as enjoying the tying and untying of
legalities with a stiff, clammy hand, and as unlikely to be hurried on
account of any temperament possessed by himself or manifested by his
clients. Fire, in a wide sweep, had overtaken the town a year or two
before--a community owned by the Eastern seaboard and mortgaged to its
eyebrows; and the Princes, as I learned years later, had been building
extensively on borrowed capital just before the fire-doom came. Probably
too great a part of the funds employed came from their own bank.
Raymond, once the second floor was reached, showed me his desks and
bookcases; also a new sort of pen which he had thought to be able to
use, but which he had cast aside. And he offered to read me his account
of the three days in Milwaukee, or wherever.
"If you would like to hear...?" he said, with a sort of bashful
determination.
"Just as you please," I replied, patient then, as ever after, in the
face of the arts.
Nothing much seemed to have happened--nothing that I, at least, should
have taken the trouble to set down; but a good part of his fifteen
pages, as he read them, seemed interesting and even important. I suppose
this came from the way he did it. As early as thirteen he had the
knack; then, and always after, he enjoyed writing for its own sake. I
feel sure that his father did not quite approve this taste. His
grandfather, who had had a lesser education and felt an exaggerated
respect for learning, may have had more patience. He talked for years
about endowing some college, but never did it; when the time finally
came, he was far too deep in his financial worries.
James Prince, as I have noted, occasionally mentioned to Raymond his
conviction that he was wasting his time with all this scribbling, and
that so much work by artificial light was imperiling his eyesight.
"What good is it all going to do you?" I once heard him ask. His tone
was resigned, as if he had put the question several times before. "I
don't think I'd write quite so much, if I were you."
Raymond looked at him in silence. "Not write?" he seemed to say. "You
might as well ask me not to breathe."
"At least do it by daylight," his father suggested, or
counseled,--scarcely urged. "You won't have any eyes at all by the time
you're thirty."
But Raymond liked his double student-lamp with green shades. He liked
the quiet and retirement of late hours. I believe he liked even the
smell and smear of the oil.
Public-domain text, read in full here on John Shaqi.
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