We followed. Johnny seemed much more expert and worldly-wise than either
of us. We held our innocent excursion in abeyance and bowed with a
certain embarrassed awe to Johnny's demonstration of his aptitude for
taking the world as it was and to his light-handed, care-free way of
handling so serious a matter, to most men, as the founding of a home. As
we continued our jaunt, I began to feel that I now liked Johnny a little
less than I could have wished.
III
At about this time Raymond and I found ourselves members of a little
circle that expressed itself chiefly through choral music. It was almost
a neighborhood circle, and almost a self-made circle--it gradually
evolved itself, with no special guidance or intention, until, finally,
there it was. I, at that period, may have felt that it would verge on
the presumptuous to pick and choose--to attempt consciously the
fabrication of a social environment--and so I adopted with docility the
one which presented itself. Raymond, on the other hand, may have felt
that even the best which was available was unlikely to be good enough
and have accepted fatalistically anything which could possibly be made
to do.
Just why our little group of a dozen or so should have united on a
musical basis and have expressed itself in a weekly "sing" I might find
it hard to explain. None of us fellows was especially blessed with a
voice; and the various Gertrudes and Adeles that met with us were
assuredly without any marked sanction to vocalize. Possibly the "sing"
was the mere outcome of youthful exuberance and of the tendency of young
and eager molecules to crystallize into what came, later, to be termed a
"bunch."
As for Raymond himself, he never sang at all. "Oh, come, Rayme; join
in!" the other fellows would suggest--and suggest in vain.
"I'm doing _my_ part," he would return, giving the piano-stool a nearer
hitch to the keyboard.
Public-domain text, read in full here on John Shaqi.
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