Raymond attempted no set reply. Johnny, he recognized, was out for
positive results, for tangible returns; his idea was to get on in the
world by definite and unmistakable stages. Raymond never welcomed the
idea of "getting on"--not at least in the sense in which his own day and
place used the expression. To do so was but to acknowledge some early
inferiority. Raymond was not conscious of any inferiority to be
overcome. Johnny might, of course, on this particular point, feel as he
chose.
About this time old Jehiel Prince began to come more frequently to his
son's house. He was yellower and grayer, and he was getting testy and
irascible. He sometimes brought his lawyer with him, and the pair made
James Prince an active participant in their concerns. However, Jehiel
was perhaps less unhappy here than in his own home. When there, he sat
moodily alone, of evenings, in his basement office; and Raymond, who was
sometimes sent over with documents or with messages, impatiently
reported him to me as "glum."
"Poor old fellow! he doesn't know how to live!" said Raymond in
complacent pity. He himself, of course, had but to assemble all the
bright-hued elements that awaited him a few months ahead to make his own
life a poem, a song.
"I can do that," he once said, in a moment when exaltation had briefly
made him confidential.
Raymond never saw his grandmother--at least he never cared to see her.
Here, if nowhere else, he was willing to take a cue, and he took it from
the head of the family. He thought that so many years of town life might
have made her a little less rustic in the end: the York State of 1835 or
of 1840 need not have remained York State so immitigably. And if there
was a domestic blight on the house he was willing to believe that she
was two thirds to blame: behind the old soul was a pack of poor
relations. Particularly a brother-in-law--a bilious, cadaverous fellow,
whom I saw once, and once was enough. He had been an itinerant preacher
farther East, and he lived in a woeful little cottage along one of
Jehiel's horse-car routes. His mournful-eyed wife was always asking
help. He too had "gone into real-estate," and unsuccessfully. He was the
dull reverse of that victorious obverse upon which Johnny McComas was
beginning to shine.
Public-domain text, read in full here on John Shaqi.
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