The streets of Melbourne are, to my mind, the most tiring I have ever
known. They are so straight, so uncompromising; Collins Street alone
presents such an endless vista as one gazes up it that I remember, in
those first days, feeling as if I would like to take it up in my hands
and twist it into some unrecognizable form—warp it and bend it. Straight
from west to east, side by side, run several such streets, the principal
ones of the city, crossed again at right angles by others every bit as
straight—all without a single saving grace of curve, of sheltering
crescent, or tree-shaded square, so that when a hot north wind blows it
rushes across the interstices of these streets like a hot blast from a
furnace, eddying thick clouds of yellow dust—filled with the unutterable
debris of the streets—furiously round each corner. There are some really
most remarkably fine buildings, but the city is not yet sufficiently
complete to show them to advantage or in any harmonious whole, and they
look, on the whole, rather ungainly among their humble
neighbours—squashed in, in an apologetic manner, between them. During
those early days of my life in Melbourne, when the first fascination of
newness had faded and I had not yet begun to know the true meaning of the
city, the place impressed itself on my jaded mind, with photographic
clearness, as an individual without eyelashes, staring unblinkingly,
showing a face with no half-tints, no delicacy; and, though possessing a
sort of humanity, as all big towns do, yet quite without a soul. Indeed,
I believe that this is really the truth, and that the soul of the town is
wanting because the hearts of the people, in spite of the manner in which
they flock to the big cities, are really all the time in the open
country, the strongest proof of this being perhaps found in the growth of
the suburbs, which push their way ever further and further afield, and in
the fact that very few people indeed—having no inborn love for the life
of the town as so many of us have—live in the city itself if they can
afford to do otherwise.
During the day, indeed, this absence of soul is but little realized, save
when the hot winds and dust carve a heavy furrow down the centre of every
brow and call into being a thousand criss-cross wrinkles. But at night,
or on Sabbaths or holidays, the town is strangely empty, even more so
spiritually than actually. On such days in old-world cities, it always
seems to me as if the quiet dead were abroad, wandering lovingly round
the shady squares—with their sober-faced houses—and the flagged paths of
churchyards, the secluded seats, the ancient archways and narrow silent
streets; articulate in the twittering of sparrows or the coo of pigeons,
lost at other times in the roar of traffic.
Public-domain text, read in full here on John Shaqi.
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