these cases, would it be worth while to make the sacrifices inseparable from a continuance of the War, when they could be spared those sacrifices by a peace on terms not too humiliating? The second consideration is the question whether the Austrian Government, instead of seriously weighing the possible results of a resistance pushed to extremities, would not prove completely disheartened by the impression of their present reverses. The consideration which forms the subject of the first is no idle piece of subtle argument, but a consideration of such decidedly practical importance that it comes up whenever the plan of pushing War to the utmost extremity is mooted, and by its weight in most cases restrains the execution of such plans. The second consideration is of equal importance, for we do not make War with an abstraction but with a reality, which we must always keep in view, and we may be sure that it was not overlooked by the bold Buonaparte—that is, that he was keenly alive to the terror which the appearance of his sword inspired. It was reliance on that which led him to Moscow. There it led him into a scrape. The terror of him had been weakened by the gigantic struggles in which he had been engaged; in the year 1797 it was still fresh, and the secret of a resistance pushed to extremities had not been discovered; nevertheless even in 1797 his boldness might have led to a negative result if, as already said, he had not with a sort of presentiment avoided it by signing the moderate peace of Campo Formio. We must now bring these considerations to a close—they will suffice to show the wide sphere, the diversity and embarrassing nature of the subjects embraced in a critical examination carried to the fullest extent, that is, to those measures of a great and decisive class which must necessarily be included. It follows from them that besides a theoretical acquaintance with the subject, natural talent must also have a great influence on the value of critical examinations, for it rests chiefly with the latter to throw the requisite light on the interrelations of things, and to distinguish from amongst the endless connections of events those which are really essential. But talent is also called into requisition in another way. Critical examination is not merely the appreciation of those means which have been actually employed, but also of all possible means, which therefore must be suggested in the first place—that is, must be discovered; and the use of any particular means is not fairly open to censure until a better is pointed out. Now, however small the number of possible combinations may be in most cases, still it must be admitted that to point out those which have not been used is not a mere analysis of actual things, but a spontaneous creation which cannot be prescribed, and depends on the fertility of genius.