Although our intellect always feels itself urged towards clearness and
certainty, still our mind often feels itself attracted by uncertainty.
Instead of threading its way with the understanding along the narrow
path of philosophical investigations and logical conclusions, in order,
almost unconscious of itself, to arrive in spaces where it feels itself
a stranger, and where it seems to part from all well-known objects, it
prefers to remain with the imagination in the realms of chance and
luck. Instead of living yonder on poor necessity, it revels here in the
wealth of possibilities; animated thereby, courage then takes wings to
itself, and daring and danger make the element into which it launches
itself as a fearless swimmer plunges into the stream.
Shall theory leave it here, and move on, self-satisfied with absolute
conclusions and rules? Then it is of no practical use. Theory must also
take into account the human element; it must accord a place to courage,
to boldness, even to rashness. The Art of War has to deal with living
and with moral forces, the consequence of which is that it can never
attain the absolute and positive. There is therefore everywhere a
margin for the accidental, and just as much in the greatest things as
in the smallest. As there is room for this accidental on the one hand,
so on the other there must be courage and self-reliance in proportion
to the room available. If these qualities are forthcoming in a high
degree, the margin left may likewise be great. Courage and
self-reliance are, therefore, principles quite essential to War;
consequently, theory must only set up such rules as allow ample scope
for all degrees and varieties of these necessary and noblest of
military virtues. In daring there may still be wisdom, and prudence as
well, only they are estimated by a different standard of value.
23. WAR IS ALWAYS A SERIOUS MEANS FOR A SERIOUS OBJECT. ITS MORE
PARTICULAR DEFINITION.
Such is War; such the Commander who conducts it; such the theory which
rules it. But War is no pastime; no mere passion for venturing and
winning; no work of a free enthusiasm: it is a serious means for a
serious object. All that appearance which it wears from the varying
hues of fortune, all that it assimilates into itself of the
oscillations of passion, of courage, of imagination, of enthusiasm, are
only particular properties of this means.
Public-domain text, read in full here on John Shaqi.
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