That settled the score for the first half, and the teams trotted off with honors even. There was a good deal of dissatisfaction expressed in Allan’s neighborhood over the playing of the home team, and much gloomy prophecy was indulged in in regard to the outcome of the final and most important game of the season--that with Erskine’s old-time rival, Robinson University. About the middle of the intermission, Allan heard his name called, and looked down to see a small, sandy-haired fellow waving a note-book at him. Allan waved back, and the owner of the note-book--the latter his never-absent badge of office--climbed up the seats and was duly pummeled and laid hold of on his way. Tommy Sweet was a Hillton fellow, and considering that he had been a class ahead of Allan at that school, the two had been quite friendly there until Sweet had gone up to Erskine. So far Allan had not seen much of him, for Tommy was “on the Purple,” as he liked to put it, and was an extremely busy youth. Tommy’s friends declared he would find something to do if he was strapped in bed. The key-note of Tommy was eagerness. His wide-open blue eyes were always staring about the world in search for something to engage his attention, and his ridiculously small mouth was forever pursed into something between a grin and an exclamation-point. His hair was just the color of tow, and the freckles which covered every available portion of his face were several shades darker, but harmonized perfectly. He was tireless in the search for news for the Purple, and when it came to activity would have made the proverbial ant or beaver look like a sluggard. Tommy thought sleep a criminal waste of time, and even begrudged the moments spent in eating. Tommy was only perfectly happy when doing four things at once; less than four left him dull and dissatisfied. Clarke Mason once said: “I’ll bet some day Tommy will commit second-degree murder so they’ll give him hard labor for life.” For the rest he was a cheerful, likable fellow, aggressively honest and painfully conscientious. “What did you think of that run of Cutler’s?” he asked, breathlessly, as he sank onto the seat at Allan’s side. “Peach, wasn’t it? It’ll show up great in the diagram I’m making; see!” He opened his note-book and exhibited a puzzling maze of lines and dots, figures and letters. “That’s the first half. Everything’s there--runs, kicks, plunges, penalties, the whole show.” “What’s it for?” asked Allan. “Anything to do with geometry?” “Why, no; it’s-- Oh, quit your kidding! It’s to go with my report of the game. It shows how the gains were made and who made ’em. And I’ve introduced something new in diagrams, too. See these figures along the edge here--4:17, 4:22, and so on?” “Well, I see something there, I think,” answered Allan, cautiously. “Those signify the time each play was made,” said Tommy, triumphantly. “That’s never been done before, you know.”