I said that this was the story of a comedy which nearly became a tragedy. But it turned out to be no tragedy at all. In the three acts to which Prosper Vane had condemned it the play appealed to both critics and public; for the Fourth Act (as he recognised so clearly) was unnecessary, and would have spoilt the balance of it entirely. Best of all, the shortening of the play demanded that some entertainment should be provided in front of it, and this enabled Mr. Levinski to introduce to the public Professor Wollabollacolla and Princess Collabollawolla, the famous exponents of the Bongo-Bongo, that fascinating Central African war dance which was soon to be the rage of society. But though, as a result, the takings of the Box Office surpassed all Mr. Levinski's previous records, our friend Prosper Vane received no practical acknowledgment of his services. He had to be content with the hand and heart of the lady who played _Winifred_, and the fact that Mr. Levinski was good enough to attend the wedding. There was, in fact, a photograph in all the papers of Mr. Levinski doing it. "UNDER ENTIRELY NEW MANAGEMENT" I know a fool of a dog who pretends that he is a Cocker Spaniel, and is convinced that the world revolves round him wonderingly. The sun rises so it may shine on his glossy morning coat; it sets so his master may know that it is time for the evening biscuit; if the rain falls it is that a fool of a dog may wipe on his mistress's skirt his muddy boots. His day is always exciting, always full of the same good things; his night a repetition of his day, more gloriously developed. If there be a sacred moment before the dawn when he lies awake and ponders on life, he tells himself confidently that it will go on for ever like this--a life planned nobly for himself, but one in which the master and mistress whom he protects must always find a place. And I think perhaps he would want a place for me, too, in that life, who am not his real master but yet one of the house. I hope he would.