Instantly the Countess was on her feet, her diary thrown to the
floor--no, never thrown--laid gently on the floor, and herself, hands
clasped at her breast, a figure of reproachful penitence before him.
"Oh, your Majesty, forgive me--if your Majesty had only asked me--I
didn't know your Majesty wanted me--I thought her Royal Highness----
But _of course_ I'll find your Majesty's sword for you." Did she
stroke his head as she said this? I have often wondered. It would be
like her impudence, and her motherliness, and her---and, in fact, like
her. _Euralia Past and Present_ is silent upon the point. Roger
Scurvilegs, who had only seen Belvane at the unimpressionable age of
two, would have had it against her if he could, so perhaps there is
nothing in it.
"There!" she said, and she picked out the magic sword almost at once.
[Illustration: _"Try it on me," cried the Countess_]
"Then I'll get back to my work," said Hyacinth cheerfully, and left
them to each other.
The King, smiling happily, girded on his sword. But a sudden doubt
assailed him.
"Are you sure it's the one?"
"Try it on _me_," cried the Countess superbly, falling on her knees
and stretching up her arms to him. The toe of her little shoe touched
her diary; its presence there uplifted her. Even as she knelt she saw
herself describing the scene. How do you spell "offered"? she
wondered.
I think the King was already in love with her, though he found it so
difficult to say the decisive words. But even so he could only have
been in love a week or two; a fortnight in the last forty years; and
he had worn a sword since he was twelve. In a crisis it is the old
love and not the greater love which wins (Roger's, but I think I agree
with him), and instinctively the King drew his sword. If it were
magic a scratch would kill. Now he would know.
Her enemies said that the Countess could not go pale; she had her
faults, but this was not one of them. She whitened as she saw the
King standing over her with drawn sword. A hundred thoughts chased
each other through her mind. She wondered if the King would be sorry
afterwards; she wondered what the minstrels would sing of her, and if
her diary would ever be made public; most of all she wondered why she
had been such a fool, such a melodramatic fool.
The King came to himself with a sudden start. Looking slightly
ashamed he put his sword back in its scabbard, coughed once or twice
to cover his confusion, and held his hand out to the Countess to
assist her to rise.
"Don't be absurd, Countess," he said. "As if we could spare you at a
time like this. Sit down and let us talk matters over seriously."
A trifle bewildered by the emotions she had gone through, Belvane sat
down, the beloved diary clasped tightly in her arms. Life seemed
singularly sweet just then, the only drawback being that the minstrels
would not be singing about her after all. Still, one cannot have
everything.
The King walked up and down the room as he talked.
Public-domain text, read in full here on John Shaqi.
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